Enactments and the design of trail running equipment: An example of carrying systems

Optimizing Performative Skills in Social Interaction: Insights From Embodied Cognition, Music Education, and Sport Psychology

Embodied approaches to cognition conceive of mental life as emerging from the ongoing relationship between neural and extra-neural resources. The latter include, first and foremost, our entire body, but also the activity patterns enacted within a contingent milieu, cultural norms, social factors, and the features of the environment that can be used to enhance our cognitive capacities (e.g., tools, devices, etc.). Recent work in music education and sport psychology has applied general principles of embodiment to a number of social contexts relevant to their respective fields. In particular, both disciplines have contributed fascinating perspectives to our understanding of how skills are acquired and developed in groups; how musicians, athletes, teachers, and coaches experience their interactions; and how empathy and social action participate in shaping effective performance. In this paper, we aim to provide additional grounding for this research by comparing and further developing original themes emerging from this cross-disciplinary literature and empirical works on how performative skills are acquired and optimized. In doing so, our discussion will focus on: (1) the feeling of being together, as meaningfully enacted in collective musical and sport events; (2) the capacity to skillfully adapt to the contextual demands arising from the social environment; and (3) the development of distributed forms of bodily memory. These categories will be discussed from the perspective of embodied cognitive science and with regard to their relevance for music education and sport psychology. It is argued that because they play a key role in the acquisition and development of relevant skills, they can offer important tools to help teachers and coaches develop novel strategies to enhance learning and foster new conceptual and practical research in the domains of music and sport.

An enactive approach to appropriation in the instrumented activity of trail running

The incorporation of external tools during a sports activity can be analyzed through the dynamics of appropriation. In this study, we assumed that appropriation could be documented at both the phenomenological and behavioral scales and aimed to characterize trail runners' interactions with five carrying systems (i.e., backpacks proposing different ways of carrying water) in an ecological setting. The runners ran a 3-km trail running loop, equipped with inertial sensors to quantify both their vertical oscillations and those of the carrying systems. After the trials, phenomenological data were collected in enactive interviews. Results showed that (1) the runners encountered issues related to the carrying system, whose emergence in their experiences while running revealed the interplay between the tool's transparency (i.e., when runners provided no account of the carrying system) and opacity (i.e., when runners mentioned perceptions of disturbing system elements), and (2) when the runners carried the water bottles on the pectoral straps, they felt the system bouncing in an uncomfortable way, especially in the less technical parts of the route. We therefore investigated the low- and high-order parameters of coordination by computing the vertical accelerations and the acceleration couplings between the carrying system and the runners in order to identify coordination modes. The congruence between the runners' experiences and the behavioral data was noted in terms of (1) the system's vertical oscillations (i.e., low-order parameters) and (2) the couplings between the accelerations of the runners and the backpacks (i.e., high-order parameters). Our results demonstrated that the appropriation process was shaped by the interactions between the runners' activity, the environment and the physical properties of the tool. These interactions occurred in fluctuating phases where the runners perceived the carrying systems as more or less incorporated. Our results highlighted how tool incorporation is revealed through changes in its transparency/opacity in the actor's activity.