Identification of periodic bursts in surface EMG: Applications to the erector spinae muscles of sitting violin players

Right-left sEMG burst synchronization of the lumbar erector spinae muscles of seated violin players

Burst-like activation of postural muscles has been previously described and plays a crucial role in elucidating the strategies for postural control adopted by the central nervous system (CNS). A spatio-temporal descriptor of surface electromyographic (sEMG) bursts (STB) is proposed and applied to statistically quantify the burst-like activity of the right and left (R-L) lumbar erector spinae muscle of nine seated violinists playing for two hours. The STB signal is the number of pixels of the high density sEMG (HDsEMG) maps simultaneously showing sEMG amplitude above a given threshold. Burst activity was present in all nine subjects. Four of them met four stringent criteria allowing analysis of frequency, duration, and synchronization between the R-L bursts after 0, 15, 30, 60, 120 min of playing. Mean square coherence between STBs of the two muscles was > 0.75 within ⁓1 Hz bandwidth between 2.2 Hz and 4.5 Hz depending on subject. Non-parametric statistics was applied to compare, in time and space, the R-L features of the bursts. The mean STB width was significantly associated primarily to side and secondarily to time and ranged from 100 to 250 ms. The right STB signals led the left (p < 0.02) by 0 - 160 ms.The inverted pendulum composed by the upper body of a seated violinist is controlled in an intermittent way. The erector spinae of the selected subjects were active, on average, for less than 50% of the time. These findings demonstrate a CNS strategy of intermittent back muscle activation presumably aimed to reducing fatigue during hours of playing in seated violinists.

High Density Surface Electromyography Activity of the Lumbar Erector Spinae Muscles and Comfort/Discomfort Assessment in Piano Players: Comparison of Two Chairs

Introduction: At a professional level, pianists have a high prevalence of playing-related musculoskeletal disorders. This exploratory crossover study was carried out to assess and compare quantitatively [using high density surface electromyography (HDsEMG)], and qualitatively (using musculoskeletal questionnaires) the activity of the lumbar erector spinae muscles (ESM) and the comfort/discomfort in 16 pianists sitting on a standard piano stool (SS) and on an alternative chair (A-chair) with lumbar support and a trunk-thigh angle between 105° and 135°.

Materials and Methods: The subjects played for 55 min and HDsEMG was recorded for 20 s every 5 min. For the quantitative assessment of the muscle activity, the spatial mean of the root mean square (RMS_ROA) and the centroid of the region of activity (ROA) of the ESM were compared between the two chairs. For the qualitative assessment, musculoskeletal questionnaire-based scales were used: General Comfort Rating (GCR); Helander and Zhang’s comfort (HZc) and discomfort (HZd); and Body Part Discomfort (BPD).

Results: When using the A-chair, 14 out of 16 pianists (87.5%) showed a significantly lower RMS_ROA on the left and right side (p < 0.05). The mixed effects model revealed that both chairs (F = 28.21, p < 0.001) and sides (F = 204.01, p < 0.001) contributed to the mean RMS_ROA variation by subject (Z = 2.64, p = 0.004). GCR comfort indicated that participants found the A-Chair to be “quite comfortable,” and the SS to be “uncomfortable.” GCR discomfort indicated that the SS caused more numbness than the A-Chair (p = 0.05) and indicated the A-Chair to cause more feeling of cramps (p = 0.034). No difference was found on HZc (p = 0.091) or HZd (p = 0.31) between chairs. Female participants (n = 9) reported greater comfort when using the A-Chair than the SS (F = 7.09, p = 0.01) with respect to males. No differences between chairs were indicated by the BPD assessment.

Conclusion: It is concluded that using a chair with lumbar support, such as the A-chair, will provide greater comfort, less exertion of the ESM and less discomfort than the standard piano stool.