Auditory streaming and bistability paradigm extended to a dynamic environment

Perceptual tri-stability, measured and fitted as emergent from a model for bistable alternations

The human auditory system in attempting to decipher ambiguous sounds appears to resort to perceptual exploration as evidenced by multi-stable perceptual alternations. This phenomenon has been widely investigated via the auditory streaming paradigm, employing ABA_ triplet sequences with much research focused on perceptual bi-stability with the alternate percepts as either a single integrated stream or as two simultaneous distinct streams. We extend this inquiry with experiments and modeling to include tri-stable perception. Here, the segregated percepts may involve a foreground/background distinction. We collected empirical data from participants engaged in a tri-stable auditory task, utilizing this dataset to refine a neural mechanistic model that had successfully reproduced multiple features of auditory bi-stability. Remarkably, the model successfully emulated basic statistical characteristics of tri-stability without substantial modification. This model also allows us to demonstrate a parsimonious approach to account for individual variability by adjusting the parameter of either the noise level or the neural adaptation strength.

Attentional control via synaptic gain mechanisms in auditory streaming

Attention is a crucial component in sound source segregation allowing auditory objects of interest to be both singled out and held in focus. Our study utilizes a fundamental paradigm for sound source segregation: a sequence of interleaved tones, A and B, of different frequencies that can be heard as a single integrated stream or segregated into two streams (auditory streaming paradigm). We focus on the irregular alternations between integrated and segregated that occur for long presentations, so-called auditory bistability. Psychaoustic experiments demonstrate how attentional control, a listener's intention to experience integrated or segregated, biases perception in favour of different perceptual interpretations. Our data show that this is achieved by prolonging the dominance times of the attended percept and, to a lesser extent, by curtailing the dominance times of the unattended percept, an effect that remains consistent across a range of values for the difference in frequency between A and B. An existing neuromechanistic model describes the neural dynamics of perceptual competition downstream of primary auditory cortex (A1). The model allows us to propose plausible neural mechanisms for attentional control, as linked to different attentional strategies, in a direct comparison with behavioural data. A mechanism based on a percept-specific input gain best accounts for the effects of attentional control.

Auditory streaming emerges from fast excitation and slow delayed inhibition

In the auditory streaming paradigm, alternating sequences of pure tones can be perceived as a single galloping rhythm (integration) or as two sequences with separated low and high tones (segregation). Although studied for decades, the neural mechanisms underlining this perceptual grouping of sound remains a mystery. With the aim of identifying a plausible minimal neural circuit that captures this phenomenon, we propose a firing rate model with two periodically forced neural populations coupled by fast direct excitation and slow delayed inhibition. By analyzing the model in a non-smooth, slow-fast regime we analytically prove the existence of a rich repertoire of dynamical states and of their parameter dependent transitions. We impose plausible parameter restrictions and link all states with perceptual interpretations. Regions of stimulus parameters occupied by states linked with each percept match those found in behavioural experiments. Our model suggests that slow inhibition masks the perception of subsequent tones during segregation (forward masking), whereas fast excitation enables integration for large pitch differences between the two tones.