Acoustic Analyses of Trained Singers Perceptually Identified from Speaking Samples

Effects of Participation in a Structured Choral Program on the Voice of Older Adults

OBJECTIVES

To examine the effects of short-term and long-term engagement with structured choral singing on vocal function and quality of life outcomes in older adults.

METHODS

Two groups of older adult singers over 55 years, one with fewer than 4 semesters and one with 4 or more semesters singing in a chorale, were assessed at 3 time points: baseline, after 1 semester of singing, and either after 1 semester of rest or after 1 semester of rest and 1 semester more of singing. Acoustic and aerodynamic measures, voice-related quality of life ratings, and measures of singing accuracy were obtained. Percent change between time points were calculated to determine three outcomes: improvement, lack of change, or worsening of measures across time.

RESULTS

Long-term average spectrum (LTAS), difference in first and second harmonics and estimated subglottic pressure were significantly more likely to improve after a semester of singing with less experience singers, and LTAS continued to improve after a semester of rest. Flow was significantly more likely to improve with more singing experience after a semester of singing. Aerodynamic variables consistently changed in more experienced singers and improvement was maintained over the three visits. No significant changes occurred over time for singing accuracy for any singer type. Self-perception of singing voice continued to improve with more singing experience.

CONCLUSIONS

This study demonstrated that for older adults in good health, regular singing provided a mechanism for maintaining speaking voice over time.

Preliminary study on phonetic characteristics of patients with pulmonary nodules

OBJECTIVE

Pulmonary nodules (PNs) are one of the imaging manifestations of early lung cancer screening, which should receive more attention. Traditional Chinese medicine believes that voice changes occur in patients with pulmonary diseases. The purpose of this study is to explore the differences in phonetic characteristics between patients with PNs and able-bodied persons.

METHODS

This study explores the phonetic characteristics of patients with PNs in order to provide a simpler and cheaper method for PN screening. It is a case-control study to explore the differences in phonetic characteristics between individuals with and without PNs. This study performed non-parametric statistics on acoustic parameters of vocalizations, collected from January 2017 to March 2018 in Shanghai, China, from these two groups; it explores the differences in third and fourth acoustic parameters between patients with PNs and a normal control group. At the same time, computed tomography (CT) scans, course of disease, combined disease and other risk factors of the patients were collected in the form of questionnaire. According to the grouping of risk factors, the phonetic characteristics of the patients with PNs were analyzed.

RESULTS

This study was comprised of 200 patients with PNs, as confirmed by CT, and 86 healthy people that served as a control group. Among patients with PNs, 43% had ground glass opacity, 32% had nodules with a diameter ≥ 8 mm, 19% had a history of smoking and 31% had hyperlipidemia. Compared with the normal group, there were statistically significant differences in pitch, intensity and shimmer in patients with PNs. Among patients with PNs, patients with diameters ≥ 8 mm had a significantly higher third formant. There was a significant difference in intensity, fourth formant and harmonics-to-noise ratio (HNR) between smoking and non-smoking patients. Compared with non-hyperlipidemia patients, the pitch, jitter and shimmer of patients with PNs and hyperlipidemia were higher and the HNR was lower; these differences were statistically significant.

CONCLUSION

This measurable changes in vocalizations can be in patients with PNs. Patients with PNs had lower and weaker voices. The size of PNs had an effect on the phonetic formant. Smoking may contribute to damage to the voice and formant changes. Voice damage is more pronounced in individuals who have PNs accompanied by hyperlipidemia.

The Role of Choral Singing in Speaking Voice Preservation of Aging Adults

Purpose This descriptive cohort pilot study, using a convenience sample, examined whether evidence from vocal function measures, auditory-perceptual ratings, and/or endoscopic signs of aging supported singing in senior chorales as a possible intervention to preserve the speaking voice in aging adults. Method Thirteen singers and five nonsinging controls, all over 65 years of age, participated. They were assessed at two visits, 15-20 months apart. Vocal function measures and auditory-perceptual ratings of estimated age and the presence of voice disorders were compared across singing status and visit. Changes in the presence and degree of laryngeal signs of aging between visits were compared across singing status. Results Using an alpha of .2, deemed acceptable for pilot studies, vocal function measures supported choral singing as an intervention to preserve the speaking voice as less noise energy between 2 and 3 kHz (p = .01) and lower phonation threshold pressures (PTPs) were present (p = .09) for singers compared to nonsinging controls. Greater flows at comfortable pitch (p = .04) and high pitch (p = .06) as well as lower cepstral peak prominence smoothed (CPPS) for the vowel /a/ (p < .01) were found at Visit 2 for both groups, but singers demonstrated lower flows at Visit 2 than nonsinging controls at comfortable pitch (p = .06). Auditory-perceptual ratings did not support preservation of speaking voice, although a larger percentage of listeners rated nonsinging controls as voice disordered at Visit 2. Endoscopic ratings supported preservation, as singers were more likely than nonsinging controls to be rated as having laryngeal signs of aging absent at both visits (p = .02). Conclusion The findings from this pilot study provide evidence that regular singing in senior chorales may assist in preserving older adults' speaking voices.

Preliminary study on lyrics intelligibility at different pitches in Chinese vocal music

Background: There is still no clear experimental data on the relationship between the intelligibility of Chinese vocal lyrics and different pitch.Aims/Objective: This study aims at investigating the intelligibility of Chinese sung words at different pitch.Material and methods: A word list is created and sung by eight singers at five different pitches (C5, F4, bB4, bE5, and bA5). The intelligibility of the words is tested by listeners with and without music background.Results: The average intelligibility score in the music-listeners is 84.9% (SD = 9.5%). The score at five pitches (from low to high) is 93%, 91.7%, 89.7%, 83.1%, and 67.1%, respectively. The average score is 77.4% (SD = 10.7%) in the non-music listeners. The average score is 87%, 86%, 79.8%, 76.8%, and 57.5% at five pitches, respectively. The ratio of unidentified sung words is 19.3% (SD, 4.3%) in female singers and 11.9% (SD = 1.5%) in male singers.Conclusions: The intelligibility of Chinese sung words declines gradually with increase in pitch, and the extent of decreases gradually elevating. Generally, the identified ratio of words sung by male singers is higher than that of female singers. The listeners who had no musical background have a lower intelligibility score than those with experience.

Comparison of Pitch Strength With Perceptual and Other Acoustic Metric Outcome Measures Following Medialization Laryngoplasty

INTRODUCTION

The diagnoses of voice disorders, as well as treatment outcomes, are often tracked using visual (eg, stroboscopic images), auditory (eg, perceptual ratings), objective (eg, from acoustic or aerodynamic signals), and patient report (eg, Voice Handicap Index and Voice-Related Quality of Life) measures. However, many of these measures are known to have low to moderate sensitivity and specificity for detecting changes in vocal characteristics, including vocal quality.

OBJECTIVE

The objective of this study was to compare changes in estimated pitch strength (PS) with other conventionally used acoustic measures based on the cepstral peak prominence (smoothed cepstral peak prominence, cepstral spectral index of dysphonia, and acoustic voice quality index), and clinical judgments of voice quality (GRBAS [grade, roughness, breathiness, asthenia, strain] scale) following laryngeal framework surgery.

METHODS

This study involved post hoc analysis of recordings from 22 patients pretreatment and post treatment (thyroplasty and behavioral therapy). Sustained vowels and connected speech were analyzed using objective measures (PS, smoothed cepstral peak prominence, cepstral spectral index of dysphonia, and acoustic voice quality index), and these results were compared with mean auditory-perceptual ratings by expert clinicians using the GRBAS scale.

RESULTS

All four acoustic measures changed significantly in the direction that usually indicates improved voice quality following treatment (P < 0.005). Grade and breathiness correlated the strongest with the acoustic measures (|r| ~ 0.7) with strain being the least correlated.

CONCLUSIONS

Acoustic analysis on running speech highly correlates with judged ratings. PS is a robust, easily obtained acoustic measure of voice quality that could be useful in the clinical environment to follow treatment of voice disorders.

The usefulness of the acoustic and the capacity analysis of singing voice

Abstract Introduction: The aim of the study was to assess the acoustic and capacity analysis of singing voice using DiagnoScope Specialist software. Material and methods: The study was conducted in 120 adults subjects, including 74 women and 46 men aged 21-5, were divided into 3 groups: I -40 subjects (treatment group) – professional vocalists, II- 40 subjects (treatment group) – semiprofessional vocalists, III- 40 subjects (control group) – students of The Military Medical Faculty at Medical University of Lodz – nonsingers. The research methodology included: primary medical history, physical examination (otolaryngological), vdeolaryngoscopic examination, the GRBAS scale for subjective voice evaluation, diagnostic voice acoustic and capacity analysis using DiagnoScope Specialist software, survey on lifestyle patterns which may affect voice quality. Results: Average value of the fundamental frequency F0 was the highest in professional vocalists’ group was 316,46 Hz in women and 165,09 Hz in men, in semiprofessional vocalists’ group was accordingly 260,50 Hz and 149,26 Hz, in nonsingers’ group was accordingly 261,23 Hz and 159, 27 Hz. Average value of Jitter parameter in professional vocalists’ group was 0,30% in women and 0,54% in men, in semiprofessional vocalists’ group was accordingly 0,31% and 0,57%, in nonsingers’ group was 0,31% and 0,56%. Average value of Shimmer parameter in professional vocalists’ group was 3,27% in women and 3,75% in men, in semiprofessional vocalists’ group was accordingly 3,46% and 3,77%, in nonsingers’ group was 4,33% and 4,39%. Average value of NHR index in professional vocalists’ group was 3,28% in women and 6,00% in men, in semiprofessional vocalists’ group was accordingly 3,23% and 6,72%, in nonsingers’ group was 3,89% and 6,13%. Conclusions: Values of the parameters which are measuring the character of the voice, relative period-to-period fundamental frequency perturbations, relative period-to-period amplitude perturbation and level of buzzing together with other methods have diagnostic and predictive value in early detection of voice disorders. Capacity analysis in singing voice showed very low values of the following parameters: phonation time, true phonation time, no phonation coefficient, voice efficiency coefficient and voice capacity. Key words: The acoustic and capacity analysis, singing voice

Acoustic and Aerodynamic Characteristics of Choral Singers

OBJECTIVES

The study aimed to investigate and compare the acoustic and aerodynamic characteristics of choral singers and nonsingers.

METHOD

Twenty choral singers and 20 nonsingers in the age range of 20-30 years with no vocal pathology participated in the study. For acoustic analysis, the voice sample was recorded and analyzed using Praat software (Phonetic Sciences, University of Amsterdam, Amsterdam, Netherlands) version 6.0.33 and for aerodynamic evaluation, Helios 401 PC based spirometer (Recorders & Medicare System Pvt. Ltd., Panchkula, Haryana, India) was used.

RESULTS

The results from acoustic analysis of female groups revealed higher F0 in singers than nonsingers; higher jitter, shimmer, and noise-to-harmonics ratio (NHR) values were obtained for nonsingers compared to singers. Results from acoustic analysis of male groups revealed significantly higher F0 in singers than nonsingers and significantly higher shimmer and NHR values for nonsingers compared to singers. Results from aerodynamic analysis for both male and female groups revealed higher vital capacity, forced vital capacity, and slow vital capacity in singers than nonsingers.

CONCLUSION

The results revealed better control over phonatory and respiratory subsystems among singers compared to nonsingers, although the singers were untrained. This could be possible due to the fact that long-term singing practices involving vocal modulation and changes in the breathing pattern, better respiratory control during the expiratory phase among singers. However, as the participants of the singing group are untrained, further studies are required to compare the acoustic and the aerodynamic characteristics with trained singers.

Acoustic Perturbation Measures Improve with Increasing Vocal Intensity in Individuals With and Without Voice Disorders

OBJECTIVE

In vocally healthy children and adults, speaking voice loudness differences can significantly confound acoustic perturbation measurements. This study examines the effects of voice sound pressure level (SPL) on jitter, shimmer, and harmonics-to-noise ratio (HNR) in adults with voice disorders and a control group with normal vocal status.

STUDY DESIGN

This is a matched case-control study.

METHODS

We assessed 58 adult female voice patients matched according to approximate age and occupation with 58 vocally healthy women. Diagnoses included vocal fold nodules (n = 39, 67.2%), polyps (n = 5, 8.6%), and muscle tension dysphonia (n = 14, 24.1%). All participants sustained the vowel /a/ at soft, comfortable, and loud phonation levels. Acoustic voice SPL, jitter, shimmer, and HNR were computed using Praat. The effects of loudness condition, voice SPL, pathology, differential diagnosis, age, and professional voice use level on acoustic perturbation measures were assessed using linear mixed models and Wilcoxon signed rank tests.

RESULTS

In both patient and normative control groups, increasing voice SPL correlated significantly (P < 0.001) with decreased jitter and shimmer, and increased HNR. Voice pathology and differential diagnosis were not linked to systematically higher jitter and shimmer. HNR levels, however, were statistically higher in the patient group than in the control group at comfortable phonation levels. Professional voice use level had a significant effect (P < 0.05) on jitter, shimmer, and HNR.

CONCLUSIONS

The clinical value of acoustic jitter, shimmer, and HNR may be limited if speaking voice SPL and professional voice use level effects are not controlled for. Future studies are warranted to investigate whether perturbation measures are useful clinical outcome metrics when controlling for these effects.

Acoustic Analysis of Voice in Singers: A Systematic Review

PURPOSE

Singers are vocal athletes having specific demands from their voice and require special consideration during voice evaluation. Presently, there is a lack of standards for acoustic evaluation in them. The aim of the present study was to systematically review the available literature on the acoustic analysis of voice in singers.

METHOD

A systematic review of studies on acoustic analysis of voice in singers (PubMed/MEDLINE, CINAHL, Scopus, ProQuest, Cochrane, Ovid, Science Direct, and Shodhganga) was carried out. Key words based on PIO (population-investigation-outcome) were used to develop search strings. Titles and abstracts were screened independently, and appropriate studies were read in full for data extraction.

RESULTS

Of the 895 studies, 26 studies met the inclusion criteria. Great variability was noted in the instruments and task used. Different acoustic measures were employed, such as fundamental frequency, perturbation, cepstral, spectral, dysphonia severity index, singing power ratio, and so forth.

CONCLUSION

Overall, a great heterogeneity was noted regarding population, tasks, instruments, and parameters. There is a lack of standardized criteria for the evaluation of singing voice. In order to implement acoustic analysis as a part of comprehensive voice evaluation exclusively for singers, there is a certain need for methodical sound studies.

Role of the Internal Superior Laryngeal Nerve in the Motor Responses of Vocal Cords and the Related Voice Acoustic Changes

BACKGROUND

Repeated efforts by researchers to impose voice changes by laryngeal surface electrical stimulation (SES) have come to no avail. This present pre-experimental study employed a novel method for SES application so as to evoke the motor potential of the internal superior laryngeal nerve (ISLN) and create voice changes.

METHODS

Thirty-two normal individuals (22 females and 10 males) participated in this study. The subjects were selected from the students of Iran University of Medical Sciences in 2014. Two monopolar active electrodes were placed on the thyrohyoid space at the location of the ISLN entrance to the larynx and 1 dispersive electrode was positioned on the back of the neck. A current with special programmed parameters was applied to stimulate the ISLN via the active electrodes and simultaneously the resultant acoustic changes were evaluated. All the means of the acoustic parameters during SES and rest periods were compared using the paired t-test.

RESULTS

The findings indicated significant changes (P=0.00) in most of the acoustic parameters during SES presentation compared to them at rest. The mean of fundamental frequency standard deviation (SD F0) at rest was 1.54 (SD=0.55) versus 4.15 (SD=3.00) for the SES period. The other investigated parameters comprised fundamental frequency (F0), minimum F0, jitter, shimmer, harmonic-to-noise ratio (HNR), mean intensity, and minimum intensity.

CONCLUSION

These findings demonstrated significant changes in most of the important acoustic features, suggesting that the stimulation of the ISLN via SES could induce motor changes in the vocal folds. The clinical applicability of the method utilized in the current study in patients with vocal fold paralysis requires further research.

Comparison of Fundamental Frequency Nasalance between Trained Singers and Nonsingers for Sung Vowels

Objectives:

The purpose of this study was to determine the effect of vocal training on fundamental frequency nasalance measures under selected vowel and frequency conditions.

Methods:

Fundamental frequency nasalance measures were reported for 2 groups of women: 36 trained singers and 36 nonsingers. Each group sang and sustained the vowels (/i/, /æ/, /u/, /a/) for 6 seconds' duration at 3 frequency levels. A 3-second segment from the middle of each vowel was measured to generate fundamental frequency nasalance scores.

Results:

No significant differences were found in the mean fundamental frequency nasalance scores between the trained singers and the nonsingers. The fundamental frequency nasalance scores were significantly higher for front vowels for both groups. Additionally, both groups displayed a pattern of producing significantly higher fundamental frequency nasalance scores at lower fundamental frequencies than at higher fundamental frequencies.

Conclusions:

These findings support the practice of training singers to elevate the velum when singing at high frequencies but not when singing at low ones.

Effects of age on speech and voice quality ratings

The quality of communication may be affected by listeners' perception of talkers' characteristics. This study examined if there were effects of talker and listener age on the perception of speech and voice qualities. Younger and older listeners judged younger and older talkers' gender and age, then rated speech samples on pleasantness, naturalness, clarity, ease of understanding, loudness, and the talker's suitability to be an audiobook reader. For the same talkers, listeners also rated voice samples on pleasantness, roughness, and power. Younger and older talkers were perceived to be similar on most qualities except age. Younger and older listeners rated talkers similarly, except that younger listeners perceived younger voices to be more pleasant and less rough than older voices. For vowel samples, younger listeners were more accurate than older listeners at age estimation, while older listeners were more accurate than younger listeners at gender identification, suggesting that younger and older listeners differ in their evaluation of specific talker characteristics. Thus, the perception of quality was generally more affected by the age of the listener than the age of the talker, and age-related differences between listeners depended on whether voice or speech samples were used and the rating being made.

Análise vocal perceptivo-auditiva e acústica, falada e cantada de regentes de coral

TEMA: voz de regentes de coral. OBJETIVO: avaliar a qualidade vocal de regentes de corais, nas emissões de uma vogal sustentada, nas modalidades de voz falada e cantada, para observar diferenças auditivas e acústicas. MÉTODO: participaram como sujeitos 100 regentes de coral, em igual número de ambos os sexos, solicitados a emitir a vogal "é" sustentada, nas modalidades de voz falada e cantada. O material de fala foi analisado do ponto de vista perceptivo auditivo e acústico. A análise perceptivo-auditiva foi realizada por dois fonoaudiólogos especialistas em voz. A análise acústica foi realizada com o auxílio do programa computadorizado Doutor Speech (Tiger Eletronics, SRD, EUA, versão 4.0), com a utilização do módulo Real Analysis. RESULTADOS: a análise perceptivo-auditiva da qualidade vocal indicou que a maioria dos regentes possui vozes adaptadas, com maiores alterações na modalidade da voz falada. A análise acústica indicou valores diferentes para os sexos e para as modalidades de emissão. A freqüência fundamental foi mais elevada na voz cantada, assim como os valores do primeiro formante; o segundo formante apresentou valores mais reduzidos para a voz cantada, com significância estatística apenas para as mulheres. CONCLUSÃO: as vozes dos regentes de coral são adaptadas, com menor desvio na voz cantada quando comparada com a falada. As emissões são diferenciadas de acordo com a modalidade, voz falada ou cantada.

Voice onset time for female trained and untrained singers during speech and singing

The purpose of this study was to examine the voice onset times of female trained and untrained singers during spoken and sung tasks. Thirty females were digitally recorded speaking and singing short phrases containing the English stop consonants /p/ and /b/ in the word-initial position. Voice onset time was measured for each phoneme and statistically analyzed. Mixed-ANOVAs revealed significantly longer voice onset time durations during speech for /p/ as compared to sung productions. No significant differences between the trained singers and untrained singers were observed. In addition, no task differences occurred for the /b/ productions. The results indicated that the type of phonatory task influences VOT for voiceless stops in females.

LEARNING OUTCOMES

As a result of this activity, the reader will be able to (1) understand articulatory and phonatory differences between spoken and sung productions; (2) understand the articulatory and phonatory timing differences between trained singers and untrained singers during spoken and sung productions.

Relations of Singing Talent with Voice Onset Time of Trained and Untrained Female Singers

This study examined phonatory-articulatory timing during sung productions by trained and untrained female singers with and without singing talent. 31 untrained female singers were divided into two groups (talented or untalented) based on the perceptual judgments of singing talent by two experienced vocal instructors. In addition to the untrained singers, 24 trained female singers were recorded singing America the Beautiful, and voice onset time was measured for selected words containing /p, b, g, k/. Univariate analyses of variance indicated that phonatory-articulatory timing, as measured with voice onset time, was different among the three groups for /g/, with the untrained-untalented singers displaying longer voice onset time than the trained singers. No other significant differences were observed across the other phonemes. Despite a significant difference observed, relatively small effect sizes and statistical power make it difficult to draw any conclusions regarding the usefulness of voice onset time as an indicator of singing talent.

Effects of Speech Noise on Vocal Fundamental Frequency Using Power Spectral Analysis

OBJECTIVE

To investigate the relationship between auditory function and vocal fundamental frequency (F0) using binaural masking with speech noise during sustained vowel vocalization.

DESIGN

Eight healthy subjects were instructed to vocalize the sustained vowel /a/ at the intensities of 65 to 75 dBA and 90 to 100 dBA as steadily as possible. The phonations without noise masking were compared with the phonations under masking with 85-dBA speech noise presented to both ears through headphones. The F0s were obtained by using autocorrelation of the voice signals and were converted to cents to form a F0 sequence. The power spectrum of the F0 sequence was then acquired using fast Fourier transformation.

RESULTS

A significant increase in the power spectrum in the frequency range of <3 Hz (p < 0.05, paired Student t-test) appeared under noise masking. A negative feedback control of the auditory system on F0 is suggested regarding F0 modulations of <3 Hz.

CONCLUSIONS

The auditory system helps control a stable F0 during sustained vowel production by decreasing F0 modulation at <3 Hz. Power spectral analysis of F0 may be used to assess the interaction between F0 production and auditory feedback.

Effects of Vocal Training and Phonatory Task on Voice Onset Time

OBJECTIVES/HYPOTHESIS

The purpose of this study was to examine the temporal-acoustic differences between trained singers and nonsingers during speech and singing tasks.

METHODS

Thirty male participants were separated into two groups of 15 according to level of vocal training (ie, trained or untrained). The participants spoke and sang carrier phrases containing English voiced and voiceless bilabial stops, and voice onset time (VOT) was measured for the stop consonant productions.

RESULTS

Mixed analyses of variance revealed a significant main effect between speech and singing for /p/ and /b/, with VOT durations longer during speech than singing for /p/, and the opposite true for /b/. Furthermore, a significant phonatory task by vocal training interaction was observed for /p/ productions.

CONCLUSIONS

The results indicated that the type of phonatory task influences VOT and that these influences are most obvious in trained singers secondary to the articulatory and phonatory adjustments learned during vocal training.

Comparisons of Voice Onset Time for Trained Male Singers and Male Nonsingers During Speaking and Singing

This study was designed to examine the temporal acoustic differences between male trained singers and nonsingers during speaking and singing across voiced and voiceless English stop consonants. Recordings were made of 5 trained singers and 5 nonsingers, and acoustically analyzed for voice onset time (VOT). A mixed analysis of variance showed that the male trained singers had significantly longer mean VOT than did the nonsingers during voiceless stop production. Sung productions of voiceless stops had significantly longer mean VOTs than did the spoken productions. No significant differences were observed for the voiced stops, nor were any interactions observed. These results indicated that vocal training and phonatory task have a significant influence on VOT.

Effects of singing training on the speaking voice of voice majors

This longitudinal study gathered data with regard to the question: Does singing training have an effect on the speaking voice? Fourteen voice majors (12 females and two males; age range 17 to 20 years) were recorded once a semester for four consecutive semesters, while sustaining vowels and reading the "Rainbow Passage." Acoustic measures included speaking fundamental frequency (SFF) and sound pressure level (SLP). Perturbation measures included jitter, shimmer, and harmonic-to-noise ratio. Temporal measures included sentence, consonant, and diphthong durations. Results revealed that, as the number of semesters increased, the SFF increased while jitter and shimmer slightly decreased. Repeated measure analysis, however, indicated that none of the acoustic, temporal, or perturbation differences were statistically significant. These results confirm earlier cross-sectional studies that compared singers with nonsingers, in that singing training mostly affects the singing voice and rarely the speaking voice.

Instrumental and perceptual evaluations of two related singers

The primary goal of this study was to characterize a performer's singing and speaking voice. One woman was not admitted to a premier choral group, but her sister, who was comparable in physical characteristics and background, was admitted and provided a valuable control subject. The perceptual judgment of a vocal coach who conducted the group's auditions was decisive in discriminating these 2 singers. The singer not admitted to the group described a history of voice pathology, lacked a functional head register, and spoke with a voice characterized by hoarseness. Multiple listener judgments and acoustic and aerodynamic evaluations of both singers provided a more systematic basis for determining: 1) the phonatory basis for this judgment; 2) whether similar judgments would be made by groups of vocal coaches and speech-language pathologists; and 3) whether the type of tasks (e.g., sung vs. spoken) would influence these judgments. Statistically significant differences were observed between the ratings of vocal health provided by two different groups of listeners. Significant interactions were also observed as a function of the types of voice samples heard by these listeners. Instrumental analyses provided evidence that, in comparison to her sister, the rejected singer had a compromised vocal range, glottal insufficiencies as assessed aerodynamically and electroglottographically, and impaired acoustic quality, especially in her speaking voice.

Spectral changes due to performance environment in singers, nonsingers, and actors

From postrecording interviews of professional singers, it was hypothesized that recording environments, i.e., sound-treated environment versus an auditorium, may induce different vocal behaviors. To test this hypothesis, three groups consisting of nonsingers, singers, and actors were recorded in two different recording environments: a sound-treated booth (IAC) and an auditorium (AUD). Three recordings were obtained from each participant: recording one (IAC) and two (AUD1) required the participants to read in a normal voice; recording three (AUD2) required participants to pretend that they were "performing" before a full house. Results indicated that only the singers and the actors exhibited significant spectral and/or frequency/duration differences from one recording environment to another, with the most dramatic differences exhibited by the singers. It was concluded that the environment in which we record experimental samples from professional voice users, especially singers, should be considered as a variable that can affect results.