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Salokivi M, Salantera S, Saarikallio S, Ala-Ruona E. Promoting emotional skills in early adolescents with mental health conditions in music therapy – a content analysis of focus group interviews. NORDIC JOURNAL OF MUSIC THERAPY 2023. [DOI: 10.1080/08098131.2023.2169336] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Indexed: 02/11/2023]
Affiliation(s)
- Maija Salokivi
- Department of Music, Art and Culture Studies, University of Jyväskylä, Jyväskylä, Finland
| | - Sanna Salantera
- Department of Nursing Science, University of Turku, Turku, Finland
| | - Suvi Saarikallio
- Department of Music, Art and Culture Studies, University of Jyväskylä, Jyväskylä, Finland
| | - Esa Ala-Ruona
- Department of Music, Art and Culture Studies, University of Jyväskylä, Jyväskylä, Finland
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Kim J. Women trainee therapists’ growth experiences during their Guided Imagery and Music qualification training in South Korea. NORDIC JOURNAL OF MUSIC THERAPY 2022. [DOI: 10.1080/08098131.2021.1959386] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Indexed: 10/19/2022]
Affiliation(s)
- Jinwook Kim
- Oullim Mindcare Center, Goyang-si, Gyeonggi-do, South Korea
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Henley AK, Collier E, Robertson K, Biard MA, Bruno K, Bush H, Frees E, Krater C, Woolever S, Burns DS, Robb SL. Music Therapist Experiences of a Randomized Controlled Trial as Clinician Researchers. J Music Ther 2020; 57:315-352. [PMID: 32227108 DOI: 10.1093/jmt/thaa005] [Citation(s) in RCA: 1] [Impact Index Per Article: 0.2] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Indexed: 11/12/2022]
Abstract
Music therapy clinicians bring an important perspective to the design and conduct of clinically meaningful studies. Unfortunately, there continue to be roadblocks that hinder clinician involvement in research and the development of successful partnerships between academic researchers and practicing clinicians. To help grow clinician involvement, it is important that research teams share their experiences. As such, the purpose of this qualitative study was to share music therapists' perspectives about their experience of working as a research clinician on a large multisite randomized controlled trial. 10 board-certified music therapists provided written responses to 6 data-generating questions about: (a) reasons for participating, (b) perceived challenges and benefits, (c) experiences of quality assurance monitoring, (d) professional growth, (e) value of research, and (f) advice for clinicians considering research involvement. Using thematic content analysis, we identified primary themes and subthemes for each question (20 themes; 30 subthemes). Qualitative analysis revealed not only common challenges, such as reconciling clinical and research responsibilities, but also benefits, including continued professional growth, greater understanding of research processes, and research participation as a way to advocate and advance the profession. Finally, for clinicians interested in becoming involved in research, therapists noted the importance of having workplace support from a mentor, supervisor, and/or administrator; seeking out available resources; and knowing roles and responsibilities before initiating research involvement. Findings offer important insight and recommendations to support the involvement of clinicians in research and support further exploration of clinician involvement in dissemination efforts to improve translation and uptake of research into practice.
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Affiliation(s)
| | | | | | | | | | | | | | - Caitlin Krater
- Riley Hospital for Children at Indiana University Health, Indianapolis, IN
| | | | - Debra S Burns
- School of Engineering and Technology at IUPUI Department of Music and Arts Technology, Indianapolis, IN
| | - Sheri L Robb
- Indiana University School of Nursing, Indianapolis, IN
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Kennelly JD, Baker FA, Daveson BA. Professional Supervision as Storied Experience: Narrative Analysis Findings for Australian-Based Registered Music Therapists. J Music Ther 2017; 54:80-107. [PMID: 28391304 DOI: 10.1093/jmt/thw019] [Citation(s) in RCA: 1] [Impact Index Per Article: 0.1] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 06/09/2016] [Accepted: 12/05/2016] [Indexed: 11/13/2022]
Abstract
Background Limited research exists to inform a music therapist's supervision story from their pre-professional training to their practice as a professional. Evidence is needed to understand the complex nature of supervision experiences and their impact on professional practice. Objective This qualitative study explored the supervisory experiences of Australian-based Registered Music Therapists, according to the: 1) themes that characterize their experiences, 2) influences of the supervisor's professional background, 3) outcomes of supervision, and 4) roles of the employer, the professional music therapy association, and the university in supervision standards and practice. Methods Seven professionals were interviewed for this study. Five stages of narrative analysis were used to create their supervision stories: a life course graph, narrative psychological analysis, component story framework and narrative analysis, analysis of narratives, and final integration of the seven narrative summaries. Results Findings revealed that supervision practice is influenced by a supervisee's personal and professional needs. A range of supervision models or approaches is recommended, including the access of supervisors from different professional backgrounds to support each stage of learning and development. A quality supervisory experience facilitates shifts in awareness and insight, which results in improved or increased skills, confidence, and accountability of practice. Participants' concern about stakeholders included a limited understanding of the role of the supervisor, a lack of clarity about accountability of supervisory practice, and minimal guidelines, which monitor professional competencies. Conclusions The benefits of supervision in music therapy depend on the quality of the supervision provided, and clarity about the roles of those involved. Research and guidelines are recommended to target these areas.
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O'Callaghan CC, McDermott F, Reid P, Michael N, Hudson P, Zalcberg JR, Edwards J. Music's Relevance for People Affected by Cancer: A Meta-Ethnography and Implications for Music Therapists. J Music Ther 2016; 53:398-429. [PMID: 27980035 DOI: 10.1093/jmt/thw013] [Citation(s) in RCA: 17] [Impact Index Per Article: 1.9] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Indexed: 11/12/2022]
Abstract
BACKGROUND Evidence supports music-based oncologic support interventions including music therapy. By comparison, little is understood about music-based self-care. This meta-ethnography examined five published qualitative studies to extend understanding of music's relevance, including helpfulness, for people affected by cancer; including children, adolescents, and adults with cancer, carers, and the bereaved. OBJECTIVE To improve understanding of music's broad relevance for those affected by cancer. METHODS Meta-ethnography strategies informed the analysis. Five studies were synthesized that included 138 participants: 26 children and 28 parents of children with cancer; 12 adolescents and young adults with cancer; 52 adults with cancer; 12 carers; and 8 bereaved. Studies' category and thematic findings were compared and integrated into third-order interpretations, and a line of argument. Perspectives from the five studies that illuminated the line of argument were developed. RESULTS Music usage can remain incidental, continue normally, and/or change because of cancer's harsh effects. Music can be a lifeline, support biopsychosocial and spiritual well-being, or become elusive, that is, difficult to experience. Music helps or intrudes because it extends self-awareness and social connections, and prompts play, memories, imageries, and legacies. Music therapists may help patients and carers to recover or extend music's helpful effects. CONCLUSIONS Cancer care can be improved through offering music-based resources/services, which give cancer patients and carers opportunities to extend music usage for personal support and, for carers, to support patients. Music therapists can advocate for such resources and educate health professionals about assessing/recognizing when patients' and carers' changed music behaviors signify additional support needs.
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Affiliation(s)
- Clare C O'Callaghan
- Caritas Christi Hospice and Department of Medicine, St Vincent's Hospital, The University of Melbourne and Cabrini Health, Melbourne
- Monash University
- Department of Education and Training, Melbourne
- Notre Dame University, Sydney, and Monash University, Melbourne
- Centre for Palliative Care Education and Research, St Vincent's & University of Melbourne, and Queens University, Belfast
- Monash University
- Deakin University
| | - Fiona McDermott
- Caritas Christi Hospice and Department of Medicine, St Vincent's Hospital, The University of Melbourne and Cabrini Health, Melbourne
- Monash University
- Department of Education and Training, Melbourne
- Notre Dame University, Sydney, and Monash University, Melbourne
- Centre for Palliative Care Education and Research, St Vincent's & University of Melbourne, and Queens University, Belfast
- Monash University
- Deakin University
| | - Philippa Reid
- Caritas Christi Hospice and Department of Medicine, St Vincent's Hospital, The University of Melbourne and Cabrini Health, Melbourne
- Monash University
- Department of Education and Training, Melbourne
- Notre Dame University, Sydney, and Monash University, Melbourne
- Centre for Palliative Care Education and Research, St Vincent's & University of Melbourne, and Queens University, Belfast
- Monash University
- Deakin University
| | - Natasha Michael
- Caritas Christi Hospice and Department of Medicine, St Vincent's Hospital, The University of Melbourne and Cabrini Health, Melbourne
- Monash University
- Department of Education and Training, Melbourne
- Notre Dame University, Sydney, and Monash University, Melbourne
- Centre for Palliative Care Education and Research, St Vincent's & University of Melbourne, and Queens University, Belfast
- Monash University
- Deakin University
| | - Peter Hudson
- Caritas Christi Hospice and Department of Medicine, St Vincent's Hospital, The University of Melbourne and Cabrini Health, Melbourne
- Monash University
- Department of Education and Training, Melbourne
- Notre Dame University, Sydney, and Monash University, Melbourne
- Centre for Palliative Care Education and Research, St Vincent's & University of Melbourne, and Queens University, Belfast
- Monash University
- Deakin University
| | - John R Zalcberg
- Caritas Christi Hospice and Department of Medicine, St Vincent's Hospital, The University of Melbourne and Cabrini Health, Melbourne
- Monash University
- Department of Education and Training, Melbourne
- Notre Dame University, Sydney, and Monash University, Melbourne
- Centre for Palliative Care Education and Research, St Vincent's & University of Melbourne, and Queens University, Belfast
- Monash University
- Deakin University
| | - Jane Edwards
- Caritas Christi Hospice and Department of Medicine, St Vincent's Hospital, The University of Melbourne and Cabrini Health, Melbourne
- Monash University
- Department of Education and Training, Melbourne
- Notre Dame University, Sydney, and Monash University, Melbourne
- Centre for Palliative Care Education and Research, St Vincent's & University of Melbourne, and Queens University, Belfast
- Monash University
- Deakin University
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