Humans' left cheek portrait bias extends to chimpanzees: Depictions of chimps on Instagram

Putting your best face forward: Posing biases in psychologists' online portraits

When posing for portraits the position you adopt influences perceptions. As the left hemiface (controlled by the emotion-dominant right hemisphere) expresses emotion more intensely, left cheek portraits communicate stronger emotion than right cheek portraits. This phenomenon influences perceptions of both emotional expressivity and professional specialisation: while left cheek portraits emphasise emotion, right cheek portraits appear more scientific. When professionals upload photographs online to promote their services, the cheek shown consequently influences perceptions. Given the importance of empathy in establishing a therapeutic alliance, theoretically psychologists would benefit from choosing left cheek portraits to enhance their perceived emotionality. The present study thus examined psychologists' posing biases in photographs uploaded to online "Find a Psychologist" resources. Images (N = 1230) of psychologists were drawn from professional "Find a Psychologist" online databases, and coded for gender, portrait type and cheek shown. Results confirmed that psychologists show a left cheek bias, irrespective of gender and across portrait types (upper body, full body). This distinguishes psychologists from doctors and surgeons: past research reports no cheek bias in photos uploaded to "Find a Doctor" websites. The current findings suggest that psychologists may intuitively select left cheek images to enhance the communication of empathy to potential clients.

Phylogenetic proximity influences humans' depictions of nonhuman primates on Instagram

Portraits of humans favour the left cheek, with emotion thought to drive this posing asymmetry. In primates the emotion-dominant right hemisphere predominantly controls the left hemiface, rendering the left cheek anatomically more expressive than the right. As perceptions of nonhuman primates vary with genetic relatedness, depictions of nonhuman primates should theoretically be influenced by their phylogenetic proximity to humans. The present study thus examined whether humans depict nonhuman primates showing the left cheek, and whether depictions vary with evolutionary distance. Photographs of nonhuman primates were sourced from Instagram's "Most recent" feed: great apes (#chimpanzee, #bonobo, #gorilla, #orangutan), lesser apes (#gibbon), Old World monkeys (#baboon, #macaque, #proboscismonkey), New World monkeys (#spidermonkey, #marmosetmonkey, #capuchin), and prosimians (#lemur, #slowloris, #tarsier). The first 500 single-subject images for each hashtag (except #slowloris for which 318 images were available) were coded for pose orientation (left, right) and portrait type (head/torso, full body). As anticipated, there was a left cheek bias for great apes but no bias for more distantly related primates. These data thus suggest that depictions of nonhuman primates are implicitly influenced by phylogenetic proximity: the more closely related the primate, the more likely we are to depict them as we do ourselves, showing the left cheek.

Nonverbal communication in selfies posted on Instagram: Another look at the effect of gender on vertical camera angle

Background

Selfies are a novel social phenomenon that is gradually beginning to receive attention within the cognitive sciences. Several studies have documented biases that may be related to nonverbal communicative intentions. For instance, in selfies posted on the dating platform Tinder males but not females prefer camera views from below (Sedgewick, Flath & Elias, 2017). We re-examined this study to assess whether this bias is confined to dating selection contexts and to compare variability between individuals and between genders.

Methods

Three raters evaluated vertical camera position in 2000 selfies– 1000 by males and 1000 by females—posted in Instagram.

Results

We found that the choices of camera angle do seem to vary depending on the context under which the selfies were uploaded. On Tinder, females appear more likely to choose neutral, frontal presentations than they do on Instagram, whereas males on Tinder appear more likely to opt for camera angles from below than on Instagram.

Conclusions

This result confirms that the composition of selfies is constrained by factors affecting nonverbal communicative intentions.