Supporting Expressive and Faithful Pictorial Visualization Design with Visual Style Transfer

Designing for Visualization in Motion: Embedding Visualizations in Swimming Videos

We report on challenges and considerations for supporting design processes for visualizations in motion embedded in sports videos. We derive our insights from analyzing swimming race visualizations and motion-related data, building a technology probe, as well as a study with designers. Understanding how to design situated visualizations in motion is important for a variety of contexts. Competitive sports coverage, in particular, increasingly includes information on athlete or team statistics and records. Although moving visual representations attached to athletes or other targets are starting to appear, systematic investigations on how to best support their design process in the context of sports videos are still missing. Our work makes several contributions in identifying opportunities for visualizations to be added to swimming competition coverage but, most importantly, in identifying requirements and challenges for designing situated visualizations in motion. Our investigations include the analysis of a survey with swimming enthusiasts on their motion-related information needs, an ideation workshop to collect designs and elicit design challenges, the design of a technology probe that allows to create embedded visualizations in motion based on real data (Fig. 1), and an evaluation with visualization designers that aimed to understand the benefits of designing directly on videos.

FineStyle: Semantic-Aware Fine-Grained Motion Style Transfer with Dual Interactive-Flow Fusion

We present FineStyle, a novel framework for motion style transfer that generates expressive human animations with specific styles for virtual reality and vision fields. It incorporates semantic awareness, which improves motion representation and allows for precise and stylish animation generation. Existing methods for motion style transfer have all failed to consider the semantic meaning behind the motion, resulting in limited controls over the generated human animations. To improve, FineStyle introduces a new cross-modality fusion module called Dual Interactive-Flow Fusion (DIFF). As the first attempt, DIFF integrates motion style features and semantic flows, producing semantic-aware style codes for fine-grained motion style transfer. FineStyle uses an innovative two-stage semantic guidance approach that leverages semantic clues to enhance the discriminative power of both semantic and style features. At an early stage, a semantic-guided encoder introduces distinct semantic clues into the style flow. Then, at a fine stage, both flows are further fused interactively, selecting the matched and critical clues from both flows. Extensive experiments demonstrate that FineStyle outperforms state-of-the-art methods in visual quality and controllability. By considering the semantic meaning behind motion style patterns, FineStyle allows for more precise control over motion styles. Source code and model are available on https://github.com/XingliangJin/Fine-Style.git.

Doom or Deliciousness: Challenges and Opportunities for Visualization in the Age of Generative Models

Generative text-to-image models (as exemplified by DALL-E, MidJourney, and Stable Diffusion) have recently made enormous technological leaps, demonstrating impressive results in many graphical domains-from logo design to digital painting to photographic composition. However, the quality of these results has led to existential crises in some fields of art, leading to questions about the role of human agency in the production of meaning in a graphical context. Such issues are central to visualization, and while these generative models have yet to be widely applied in visualization, it seems only a matter of time until their integration is manifest. Seeking to circumvent similar ponderous dilemmas, we attempt to understand the roles that generative models might play across visualization. We do so by constructing a framework that characterizes what these technologies offer at various stages of the visualization workflow, augmented and analyzed through semi-structured interviews with 21 experts from related domains. Through this work, we map the space of opportunities and risks that might arise in this intersection, identifying doomsday prophecies and delicious low-hanging fruits that are ripe for research.