Systematic violations of von Kries rule reveal its limitations for explaining color and lightness constancy

Chromatic fading following complete adaptation to unique hues

Profound vision loss occurs after prolonged exposure to an unchanging featureless visual environment. The effect is sometimes called visual fade. Here we investigate this phenomenon in the color domain using two different experiments. In the first experiment we determine the time needed for a colored background to appear achromatic. Four backgrounds were tested. Each represented the observers’ four unique hues. This adaptation time was compared with time to recover after adaptation Hue shifts at the end of the adaptation period were also measured. There were wide individual differences in adaptation times and recovery times. Overall recovery was faster than adaptation (p < 0.02). There were minimal shifts in hue. In the second experiment the changes in saturation (Munsell chroma) and lightness (Munsell value) of the background were monitored at six time intervals during the adapting process. Again asymmetric matching with Munsell samples was used. There were two distinct components to both the adaptation and recovery phases; one fast with time constant <1s, the other slow with time constant between 40 and 160s.

The experiments show that the special case of visual fade involving color represents the sensory basis for many color-related effects involving adaptation.

Chips in the sunshine: color constancy with real versus simulated Munsell chips under illuminants adjacent to the daylight locus

Accurate color judgments rely on a powerful cognitive component. Here we compare the performance of color constancy under real and simulated conditions. Shifts in the u^'v^' color plane induced by illuminant A (2750 K) and illuminant S (>20,000  K) were measured using asymmetric color matching. A general linear model was used to predict performance from the following dependent variables: chroma ("4" and "6"), illuminant ("A" and "S"), presentation mode ("Real" and "Monitor"), and hue zone ("blue," "green," "yellow," "red," and "purple"). There was a strong overall effect [F(7,264)=78.65, p<0.001]. Post hoc analysis showed that performance was substantially superior under real [chromatic constancy index (cCI)=0.76] compared with simulated cCI=0.55) conditions.

Possible influences on color constancy by motion of color targets and by attention-controlled gaze

We investigated the influence of motion on color constancy using a chromatic stimulus presented in various conditions (static, motion, and rotation). Attention to the stimulus and background was also controlled in different gaze modes, constant fixation of the stimulus, and random viewing of the stimulus. Color constancy was examined in six young observers using a haploscopic view of a computer monitor. The target and background were illuminated in simulation by red, green, blue, and yellow, shifted from daylight (D65) by specific color differences along L - M or S - (L + M) axes on the equiluminance plane. The standard pattern (under D65) and test pattern (under the color illuminant) of a 5-deg square were presented side by side, consisting of 1.2-deg square targets with one of 12 colors at each center, surrounded by 230 background ellipses consisting of eight other colors. The central color targets in both patterns flipped between top and bottom locations at the rate of 3 deg/s in the motion condition. The results indicated an average reduction of color constancy over the 12 test colors by motion. The random viewing parameter indicated better color constancy by more attention to the background, although the difference was not significant. Color constancy of the four color illuminations was better to worse in green, red, yellow, and blue, respectively. The reduction of color constancy by motion could be explained by less contribution of the illumination estimation effect on color constancy. In the motion with constant fixation condition, the retina strongly adapted to the mean chromaticity of the background. However, motion resulted in less attention to the color of the background, causing a weaker effect of the illumination estimation. Conversely, in the static state with a random viewing condition, more attention to the background colors caused a stronger illumination estimation effect, and color constancy was improved overall.

The Constancy of Colored After-Images

We undertook psychophysical experiments to determine whether the color of the after-image produced by viewing a colored patch which is part of a complex multi-colored scene depends on the wavelength-energy composition of the light reflected from that patch. Our results show that it does not. The after-image, just like the color itself, depends on the ratio of light of different wavebands reflected from it and its surrounds. Hence, traditional accounts of after-images as being the result of retinal adaptation or the perceptual result of physiological opponency, are inadequate. We propose instead that the color of after-images is generated after colors themselves are generated in the visual brain.

Color constancy of color-deficient observers under illuminations defined by individual color discrimination ellipsoids

We explored the color constancy mechanisms of color-deficient observers under red, green, blue, and yellow illuminations. The red and green illuminations were defined individually by the longer axis of the color discrimination ellipsoid measured by the Cambridge Colour Test. Four dichromats (3 protanopes and 1 deuteranope), two anomalous trichromats (2 deuteranomalous observers), and five color-normal observers were asked to complete the color constancy task by making a simultaneous paper match under asymmetrical illuminations in haploscopic view on a monitor. The von Kries adaptation model was applied to estimate the cone responses. The model fits showed that for all color-deficient observers under all illuminations, the adjustment of the S-cone response or blue-yellow chromatically opponent responses modeled with the simple assumption of cone deletion in a certain type (S-M, S-L or S-(L+M)) was consistent with the principle of the von Kries model. The degree of adaptation was similar to that of color-normal observers. The results indicate that the color constancy of color-deficient observers is mediated by the simplified blue-yellow color system with a von Kries-type adaptation effect, even in the case of brightness match, as well as by a possible cone-level adaptation to the S-cone when the illumination produces a strong S-cone stimulation, such as blue illumination.

Test illuminant location with respect to the Planckian locus affects chromaticity shifts of real Munsell chips

The asymmetric sequential color-matching technique was used to determine the shifts in chromaticity of real Munsell chips induced by four test illuminants. The reference illuminant was C. Illuminants green (G) and purple (P) induced shifts orthogonal to the Planckian locus, while illuminants S and A induced shifts along the Planckian locus. Vectors describing the shifts induced by A and S were quantitatively and qualitatively different from those due to G and P. The data suggest that physiological factors, influenced by the proximity of the Planckian locus, affect chromatic constancy under nonsimulated viewing conditions.

Time-lapse ratios of cone excitations in natural scenes

The illumination in natural environments varies through the day. Stable inferences about surface color might be supported by spatial ratios of cone excitations from the reflected light, but their invariance has been quantified only for global changes in illuminant spectrum. The aim here was to test their invariance under natural changes in both illumination spectrum and geometry, especially in the distribution of shadows. Time-lapse hyperspectral radiance images were acquired from five outdoor vegetated and nonvegetated scenes. From each scene, 10,000 pairs of points were sampled randomly and ratios measured across time. Mean relative deviations in ratios were generally large, but when sampling was limited to short distances or moderate time intervals, they fell below the level for detecting violations in ratio invariance. When illumination changes with uneven geometry were excluded, they fell further, to levels obtained with global changes in illuminant spectrum alone. Within sampling constraints, ratios of cone excitations, and also of opponent-color combinations, provide an approximately invariant signal for stable surface-color inferences, despite spectral and geometric variations in scene illumination.

Corresponding color datasets and a chromatic adaptation model based on the OSA-UCS system

Today chromatic adaptation transforms (CATs) are reconsidered, since their mathematical inconsistency has been shown in Color Res. Appl.38, 188 (2013) and by the CIE technical committee TC 8-11: CIECAM02 Mathematics. In 2004-2005 the author proposed an adaptation transform based on the uniform color scale system of the Optical Society of America (OSA-UCS) [J. Opt. Soc. Am. A21, 677 (2004); Color Res. Appl. 30, 31 (2005)] that transforms the cone-activation stimuli into adapted stimuli. The present work considers all the 37 available corresponding color (CC) datasets selected by CIE and (1) shows that the adapted stimuli obtained from CC data are defined up to an unknown transformation, and an unambiguous definition of the adapted stimuli requires additional hypotheses or suitable experimental data (as it is in the OSA-UCS system); (2) produces a CAT, represented by a linear transformation between CCs, associated with any CC dataset, whose high quality measured in ΔE units discards the possibility of nonlinear transformations; (3) analyzes these color-conversion matrices in a heuristic way with a reference adaptation that is approximately that of the OSA-UCS adapted colors for the D65 illuminant and particularly shows accordance with the Hunt effect and the Bezold-Brücke hue shift; (4) proposes the measurements of CC stimuli with a reference adaptation equal to that of the visual situation of the OSA-UCS system for defining adapted colors for any considered illumination adaptation and therefore for defining a general CAT formula.

Lightness constancy and its link with cone contrast

The link between chromatic constancy (compensation for hue and saturation shifts) and lightness constancy (compensation for a change in surface reflectance) was tested theoretically by computing cone contrasts and by asymmetric matching experiments. The effect of a thin achromatic line (a frame) around the test sample was tested empirically. When the samples were outlined by the frame, lightness constancy was increased and chromatic constancy reduced (p<0.001). Changes in luminance are more likely to be compensated when the luminance contrast edge around the test stimulus is disturbed as with the addition of an achromatic frame.

The effect of background and illumination on color identification of real, 3D objects

For the surface reflectance of an object to be a useful cue to object identity, judgments of its color should remain stable across changes in the object's environment. In 2D scenes, there is general consensus that color judgments are much more stable across illumination changes than background changes. Here we investigate whether these findings generalize to real 3D objects. Observers made color matches to cubes as we independently varied both the illumination impinging on the cube and the 3D background of the cube. As in 2D scenes, we found relatively high but imperfect stability of color judgments under an illuminant shift. In contrast to 2D scenes, we found that background had little effect on average color judgments. In addition, variability of color judgments was increased by an illuminant shift and decreased by embedding the cube within a background. Taken together, these results suggest that in real 3D scenes with ample cues to object segregation, the addition of a background may improve stability of color identification.