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Quan Y, Lo CY, Wolff L, Wang J, Olsen KN, Thompson WF. Cognitive benefits of music in aerobic exercise: Evidence from a Bayesian network meta-analysis in adults with mild cognitive impairment. Arch Gerontol Geriatr 2025; 134:105848. [PMID: 40287987 DOI: 10.1016/j.archger.2025.105848] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 01/29/2025] [Revised: 03/28/2025] [Accepted: 03/29/2025] [Indexed: 04/29/2025]
Abstract
Aerobic exercise improves cognitive functions in older adults with mild cognitive impairment (MCI), while dance, combining music and synchronized movement, offers additional cognitive benefits. Despite music's potential role in enhancing cognitive outcomes, most research on aerobic exercise has not considered the impact of accompanying music. This review compared the effectiveness of aerobic exercise with music, aerobic exercise without music, and dance on cognitive function in adults with MCI. A total of 38 papers from 25 randomized controlled trials (N = 2048) were synthesized. The multilevel meta-analyses showed that compared to the control group, global cognition was improved by aerobic exercise with music (g = 1.2 [0.47, 1.94]), aerobic exercise without music (g = 0.48 [0.18, 0.79]), and dance (g = 0.55 [0.13, 0.96]). Dance also enhanced short-term memory (g = 0.41 [0.24, 0.59]), learning efficiency (g = 0.39 [0.14, 0.65]), and retrieval fluency (g = 0.7 [0.19, 1.22]). Bayesian network meta-analyses indicated that aerobic exercise with music had the highest probability of being the most effective for improving global cognition, executive function, and processing speed. Dance was likely to be the most beneficial for enhancing short-term memory, learning efficiency, and retrieval fluency. This study supports that incorporating music in exercise amplifies the cognitive benefits beyond exercise alone for individuals with MCI. The "Music Exercise Synergy Model" is proposed to explain the cognitive benefits of combining music with exercise. Dance strategically uses music for coordination, offering psychological, social, cognitive, and neurobiological benefits and contributing to the observed enhancements in memory functions.
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Affiliation(s)
- Yixue Quan
- School of Psychological Sciences, Macquarie University, Sydney, NSW, Australia.
| | - Chi Yhun Lo
- Department of Linguistics, Macquarie University, Sydney, NSW, Australia; Department of Psychology, Toronto Metropolitan University, Toronto, ON, Canada; Australian Institute of Health Innovation, Macquarie University, Sydney, NSW, Australia
| | - Lee Wolff
- Faculty of Society and Design, Bond University, Gold Coast, QLD, Australia
| | - Jinyu Wang
- Department of Music, Northeastern University, Boston, MA, United States
| | - Kirk N Olsen
- School of Psychological Sciences, Macquarie University, Sydney, NSW, Australia; Australian Institute of Health Innovation, Macquarie University, Sydney, NSW, Australia
| | - William Forde Thompson
- School of Psychological Sciences, Macquarie University, Sydney, NSW, Australia; Faculty of Society and Design, Bond University, Gold Coast, QLD, Australia
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2
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Kawase S, Eguchi K. Impact of group dancing during Japanese festivals on people's sense of community. Front Psychol 2025; 16:1469066. [PMID: 40196198 PMCID: PMC11973352 DOI: 10.3389/fpsyg.2025.1469066] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [Grants] [Track Full Text] [Figures] [Journal Information] [Subscribe] [Scholar Register] [Received: 07/24/2024] [Accepted: 02/20/2025] [Indexed: 04/09/2025] Open
Abstract
Moving together or attending festivals has been reported to foster social bonding. However, whether festivals with and without dancing affect individuals' social bonds and sense of community remains unclear. The existing research does not demonstrate whether lasting effects exist over time, even when community festivals are held only a limited number of times a year. To address this issue, this study examines the impact of dancing at local festivals on individuals' sense of community. This study hypothesized that if dancing with others enhances social bonding, individuals' participation in festivals may enhance sense of community since dancing is a part of many festivals. Accordingly, an online survey was conducted a few months after a community festival, and participants responded to three scales: the Brief Sense of Community Scale, Community Consciousness Scale, and UCLA Loneliness Scale. The results found (1) that the participants who attended and danced at a festival with dancing showed a higher sense of community and lower loneliness level than those who did not dance or those who attended a festival without dancing. (2) Previous festival attendance habits did not influence these tendencies. (3) Furthermore, these tendencies were not related to the individual's willingness to attend festivals. Therefore, dancing at festivals may promote a greater sense of community than attending festivals without dance.
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Affiliation(s)
- Satoshi Kawase
- Faculty of Psychology, Kobe Gakuin University, Kobe, Japan
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3
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Sadaphal DP, Blum CR, Keller PE, Fitch WT. Beyond perfect synchrony: shared interpersonal rhythmic timing enhances self-other merging judgements. ROYAL SOCIETY OPEN SCIENCE 2025; 12:241501. [PMID: 40078922 PMCID: PMC11897823 DOI: 10.1098/rsos.241501] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [Grants] [Track Full Text] [Figures] [Subscribe] [Scholar Register] [Received: 08/30/2024] [Revised: 12/14/2024] [Accepted: 02/13/2025] [Indexed: 03/14/2025]
Abstract
Perfect synchrony is highly prosocial, yet interpersonal rhythms globally exhibit rich variation. In two online experiments, we tested the effect of varying interpersonal rhythms on self-other merging. First, we hypothesized that shared temporal features, acting as attentional frameworks to track and integrate self-other actions, would drive combined representations. Participants viewed and rated self-other pairs producing simple rhythms, polyrhythms and irregular rhythms, at three complexity levels. Merging was unsurprisingly highest for perfect synchrony and declined with other rhythmic ratios. Crucially, simpler polyrhythms were rated higher than irregular rhythms, supporting our tracking-and-integration hypothesis. Second, we tested whether interpersonal rhythmic variation specifically affected self-other merging versus aesthetic judgements, by collecting liking ratings for the identical stimuli. We hypothesized that liking would be driven by overall perceptual features versus interpersonal features. While ratings were unaffected by simple rhythms' ratios, polyrhythms showed a sharp decrease, suggesting that social individuation inherent in polyrhythms additionally affected aesthetic judgements. The distinct liking pattern suggested that self-other merging judgements were specifically linked to the interpersonal nature of rhythmic variation, and not mere aesthetic preferences. Our data are consistent with the hypothesis that interpersonal rhythmic variation evolved to support prosocial bonds by signalling shared intentions and aiding clear self-other distinctions.
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Affiliation(s)
- Dhwani P. Sadaphal
- Department of Behavioral and Cognitive Biology, University of Vienna, Vienna, Austria
| | - Christian R. Blum
- Department of Behavioral and Cognitive Biology, University of Vienna, Vienna, Austria
| | - Peter E. Keller
- Center for Music in the Brain, Department of Clinical Medicine, Aarhus University, Aarhus, Denmark
- The MARCS Institute for Brain, Behaviour and Development, Western Sydney University, Penrith South, Australia
| | - W. Tecumseh Fitch
- Department of Behavioral and Cognitive Biology, University of Vienna, Vienna, Austria
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4
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Barbaresi M, Nardo D, Fagioli S. Physiological Entrainment: A Key Mind-Body Mechanism for Cognitive, Motor and Affective Functioning, and Well-Being. Brain Sci 2024; 15:3. [PMID: 39851371 PMCID: PMC11763407 DOI: 10.3390/brainsci15010003] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 11/15/2024] [Revised: 12/13/2024] [Accepted: 12/21/2024] [Indexed: 01/26/2025] Open
Abstract
BACKGROUND The human sensorimotor system can naturally synchronize with environmental rhythms, such as light pulses or sound beats. Several studies showed that different styles and tempos of music, or other rhythmic stimuli, have an impact on physiological rhythms, including electrocortical brain activity, heart rate, and motor coordination. Such synchronization, also known as the "entrainment effect", has been identified as a crucial mechanism impacting cognitive, motor, and affective functioning. OBJECTIVES This review examines theoretical and empirical contributions to the literature on entrainment, with a particular focus on the physiological mechanisms underlying this phenomenon and its role in cognitive, motor, and affective functions. We also address the inconsistent terminology used in the literature and evaluate the range of measurement approaches used to assess entrainment phenomena. Finally, we propose a definition of "physiological entrainment" that emphasizes its role as a fundamental mechanism that encompasses rhythmic interactions between the body and its environment, to support information processing across bodily systems and to sustain adaptive motor responses. METHODS We reviewed the recent literature through the lens of the "embodied cognition" framework, offering a unified perspective on the phenomenon of physiological entrainment. RESULTS Evidence from the current literature suggests that physiological entrainment produces measurable effects, especially on neural oscillations, heart rate variability, and motor synchronization. Eventually, such physiological changes can impact cognitive processing, affective functioning, and motor coordination. CONCLUSIONS Physiological entrainment emerges as a fundamental mechanism underlying the mind-body connection. Entrainment-based interventions may be used to promote well-being by enhancing cognitive, motor, and affective functions, suggesting potential rehabilitative approaches to enhancing mental health.
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Affiliation(s)
| | - Davide Nardo
- Department of Education, “Roma Tre” University, 00185 Rome, Italy; (M.B.); (S.F.)
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van ‘t Hooft JJ, Hartog WL, Braun M, Boessen D, Fieldhouse JLP, van Engelen MPE, Singleton EH, Jaschke AC, Schaefer RS, Venkatraghavan V, Barkhof F, van Harten AC, Duits FH, Schouws SNTM, Oudega ML, Warren JD, Tijms BM, Pijnenburg YAL. Musicality and social cognition in dementia: clinical and anatomical associations. Brain Commun 2024; 6:fcae429. [PMID: 39678365 PMCID: PMC11642622 DOI: 10.1093/braincomms/fcae429] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [Grants] [Track Full Text] [Figures] [Journal Information] [Subscribe] [Scholar Register] [Received: 03/23/2024] [Revised: 10/17/2024] [Accepted: 12/11/2024] [Indexed: 12/17/2024] Open
Abstract
Human musicality might have co-evolved with social cognition abilities, but common neuroanatomical substrates remain largely unclear. In behavioural variant frontotemporal dementia, social cognitive abilities are profoundly impaired, whereas these are typically spared in Alzheimer's disease. If musicality indeed shares a neuroanatomical basis with social cognition, it could be hypothesized that clinical and neuroanatomical associations of musicality and social cognition should differ between these causes of dementia. We recruited 73 participants from the Amsterdam Dementia Cohort (n = 30 female; aged 50-78), of whom 23 had behavioural variant frontotemporal dementia, 22 Alzheimer's disease and 28 were healthy controls. Musicality was assessed using a music-emotion recognition test, melody, tempo, accent and tuning subscores, a musicality summed score, the identification of auditory hedonic phenotypes and music emotion induction using skin conductance responses. Social cognition was assessed across multiple levels, including emotion recognition, theory of mind, socio-emotional sensitivity and understanding of social norms. We used ANCOVA to investigate subgroup differences in musicality and social cognition and linear regressions to investigate associations between musicality and social cognition. All analyses were adjusted for age, sex, musical training and mini mental state examination. Finally, we performed voxel-based morphometry analyses on T1-weighted MRI to study whether regions for musicality and social cognition overlapped anatomically. We found that patients with behavioural variant frontotemporal dementia performed worse on music-emotion recognition (all P < 0.001) and tempo recognition (all P < 0.05) compared with Alzheimer's disease and on musicality summed score (all P = 0.02) compared to controls only. Furthermore, patients with behavioural variant frontotemporal dementia had lower mean skin conductance responses during emotion-inducing music, compared to Alzheimer's disease (all P < 0.045). Worse music emotion recognition scores were associated with worse facial emotion recognition (P < 0.0001), worse theory of mind (P = 0.0005) and worse understanding of social norms (P = 0.01). Melody and tempo recognition were associated with facial emotion recognition and theory of mind, and accent recognition was associated with the theory of mind. Music emotion recognition and tempo recognition were also associated with executive functions. Worse music emotion recognition, melody recognition, tempo recognition, facial emotion recognition and theory of mind scores were all related to atrophy in the anterior temporal regions and the fusiform gyri, which play a role in multisensory integration, and worse tempo recognition was associated with atrophy of the anterior cingulate cortex. These results support the idea that musicality and social cognition may share a neurobiological basis, which may be vulnerable in behavioural variant frontotemporal dementia.
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Affiliation(s)
- Jochum J van ‘t Hooft
- Department of Neurology, Alzheimer Center Amsterdam, Vrije Universiteit Amsterdam, Amsterdam UMC Location VUmc, 1081 HZ Amsterdam, The Netherlands
- Amsterdam Neuroscience, Neurodegeneration, 1081 HV Amsterdam, The Netherlands
| | - Willem L Hartog
- Department of Neurology, Alzheimer Center Amsterdam, Vrije Universiteit Amsterdam, Amsterdam UMC Location VUmc, 1081 HZ Amsterdam, The Netherlands
- Amsterdam Neuroscience, Neurodegeneration, 1081 HV Amsterdam, The Netherlands
| | - Michelle Braun
- Department of Neurology, Alzheimer Center Amsterdam, Vrije Universiteit Amsterdam, Amsterdam UMC Location VUmc, 1081 HZ Amsterdam, The Netherlands
- Amsterdam Neuroscience, Neurodegeneration, 1081 HV Amsterdam, The Netherlands
| | - Dewi Boessen
- Department of Neurology, Alzheimer Center Amsterdam, Vrije Universiteit Amsterdam, Amsterdam UMC Location VUmc, 1081 HZ Amsterdam, The Netherlands
- Amsterdam Neuroscience, Neurodegeneration, 1081 HV Amsterdam, The Netherlands
| | - Jay L P Fieldhouse
- Department of Neurology, Alzheimer Center Amsterdam, Vrije Universiteit Amsterdam, Amsterdam UMC Location VUmc, 1081 HZ Amsterdam, The Netherlands
- Amsterdam Neuroscience, Neurodegeneration, 1081 HV Amsterdam, The Netherlands
| | - Marie-Paule E van Engelen
- Department of Neurology, Alzheimer Center Amsterdam, Vrije Universiteit Amsterdam, Amsterdam UMC Location VUmc, 1081 HZ Amsterdam, The Netherlands
- Amsterdam Neuroscience, Neurodegeneration, 1081 HV Amsterdam, The Netherlands
| | - Ellen H Singleton
- Department of Neurology, Alzheimer Center Amsterdam, Vrije Universiteit Amsterdam, Amsterdam UMC Location VUmc, 1081 HZ Amsterdam, The Netherlands
- Amsterdam Neuroscience, Neurodegeneration, 1081 HV Amsterdam, The Netherlands
| | - Artur C Jaschke
- Music Therapy, ArtEZ University of the Arts, 7511 PN Enschede, The Netherlands
- Department of Psychiatry, University of Cambridge, Cambridge, UK
- Department of Neonatology, University Medical Center Groningen, 9713 GZ Groningen, The Netherlands
- Cambridge Institute for Music Therapy Research, Cambridge, UK
| | - Rebecca S Schaefer
- Health, Medical and Neuropsychology Unit, Institute of Psychology, Leiden University, 2333 AK Leiden, The Netherlands
- Academy for Creative and Performing Arts, Leiden University, 2311 GZ Leiden, The Netherlands
| | - Vikram Venkatraghavan
- Department of Neurology, Alzheimer Center Amsterdam, Vrije Universiteit Amsterdam, Amsterdam UMC Location VUmc, 1081 HZ Amsterdam, The Netherlands
- Amsterdam Neuroscience, Neurodegeneration, 1081 HV Amsterdam, The Netherlands
| | - Frederik Barkhof
- Department of Radiology and Nuclear Medicine, Vrije Universiteit Amsterdam, Amsterdam UMC, 1081 HV Amsterdam, The Netherlands
- UCL Institutes of Neurology and Healthcare Engineering, University College London, UK
| | - Argonde C van Harten
- Department of Neurology, Alzheimer Center Amsterdam, Vrije Universiteit Amsterdam, Amsterdam UMC Location VUmc, 1081 HZ Amsterdam, The Netherlands
- Amsterdam Neuroscience, Neurodegeneration, 1081 HV Amsterdam, The Netherlands
| | - Flora H Duits
- Department of Neurology, Alzheimer Center Amsterdam, Vrije Universiteit Amsterdam, Amsterdam UMC Location VUmc, 1081 HZ Amsterdam, The Netherlands
- Amsterdam Neuroscience, Neurodegeneration, 1081 HV Amsterdam, The Netherlands
- Neurochemistry Lab, Department of Laboratory Medicine, Amsterdam UMC Location VUmc, 1081 HV Amsterdam, The Netherlands
| | - Sigfried N T M Schouws
- Department of Psychiatry, Amsterdam UMC Location Vrije Universiteit Amsterdam, 1081 HV Amsterdam, The Netherlands
- GGZ, InGeest Specialized Mental Health Care, Old Age Psychiatry, 1081 JC Amsterdam, The Netherlands
| | - Mardien L Oudega
- Department of Psychiatry, Amsterdam UMC Location Vrije Universiteit Amsterdam, 1081 HV Amsterdam, The Netherlands
- GGZ, InGeest Specialized Mental Health Care, Old Age Psychiatry, 1081 JC Amsterdam, The Netherlands
- Amsterdam Neuroscience, Mood, Anxiety, Psychosis, Sleep and Stress Program, 1081 HV Amsterdam, The Netherlands
| | - Jason D Warren
- Dementia Research Centre, UCL Queen Square Institute of Neurology, University College, London, UK
| | - Betty M Tijms
- Department of Neurology, Alzheimer Center Amsterdam, Vrije Universiteit Amsterdam, Amsterdam UMC Location VUmc, 1081 HZ Amsterdam, The Netherlands
- Amsterdam Neuroscience, Neurodegeneration, 1081 HV Amsterdam, The Netherlands
| | - Yolande A L Pijnenburg
- Department of Neurology, Alzheimer Center Amsterdam, Vrije Universiteit Amsterdam, Amsterdam UMC Location VUmc, 1081 HZ Amsterdam, The Netherlands
- Amsterdam Neuroscience, Neurodegeneration, 1081 HV Amsterdam, The Netherlands
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6
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Wei Y, Qiao Z. Neurologic Music Therapy's Impact on Neurological Disorders. J Neurosci Res 2024; 102:e70000. [PMID: 39625180 DOI: 10.1002/jnr.70000] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 05/22/2024] [Revised: 10/12/2024] [Accepted: 11/13/2024] [Indexed: 12/07/2024]
Abstract
Neurologic music therapy (NMT) represents a groundbreaking, interdisciplinary approach that combines the therapeutic properties of music with neuroscientific principles to treat a range of neurological and psychiatric conditions. This interdisciplinary approach, increasingly recognized in clinical and research settings, leverages advances in neuroimaging to explore how music affects the structure and activity of the brain. This review provides an in-depth exploration of the multifaceted effects of NMT on brain function, highlighting its role in promoting neuroplastic changes and enhancing cognitive, emotional and motor functions in diverse patient groups. This review consolidates current knowledge on NMT and provides insights into how music affects brain structure and function and the mechanisms of action. The article then discusses the application and research results of NMT in various diseases such as stroke, Alzheimer's disease and Parkinson's disease. Its potential in personalizing therapeutic interventions and its ability to improve treatment access and effectiveness in various settings are highlighted.
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Affiliation(s)
- Yaming Wei
- Department of Music Therapy, Ewha Womans University, Seoul, Korea
| | - Zhen Qiao
- Department of Biotechnology, College of Life Science and Biotechnology, Yonsei University, Seoul, Republic of Korea
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7
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Patel AD. Beat-based dancing to music has evolutionary foundations in advanced vocal learning. BMC Neurosci 2024; 25:65. [PMID: 39506663 PMCID: PMC11539772 DOI: 10.1186/s12868-024-00843-6] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Grants] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 05/23/2023] [Accepted: 01/09/2024] [Indexed: 11/08/2024] Open
Abstract
Dancing to music is ancient and widespread in human cultures. While dance shows great cultural diversity, it often involves nonvocal rhythmic movements synchronized to musical beats in a predictive and tempo-flexible manner. To date, the only nonhuman animals known to spontaneously move to music in this way are parrots. This paper proposes that human-parrot similarities in movement to music and in the neurobiology of advanced vocal learning hold clues to the evolutionary foundations of human dance. The proposal draws on recent research on the neurobiology of parrot vocal learning by Jarvis and colleagues and on a recent cortical model for speech motor control by Hickock and colleagues. These two lines of work are synthesized to suggest that gene regulation changes associated with the evolution of a dorsal laryngeal pitch control pathway in ancestral humans fortuitously strengthened auditory-parietal cortical connections that support beat-based rhythmic processing. More generally, the proposal aims to explain how and why the evolution of strong forebrain auditory-motor integration in the service of learned vocal control led to a capacity and proclivity to synchronize nonvocal movements to the beat. The proposal specifies cortical brain pathways implicated in the origins of human beat-based dancing and leads to testable predictions and suggestions for future research.
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Affiliation(s)
- Aniruddh D Patel
- Department of Psychology, Tufts University, 490 Boston Ave., Medford, MA, 02155, USA.
- Program in Brain, Mind, and Consciousness, Canadian Institute for Advanced Research, Toronto, Canada.
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8
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Curzel F, Tillmann B, Ferreri L. Lights on music cognition: A systematic and critical review of fNIRS applications and future perspectives. Brain Cogn 2024; 180:106200. [PMID: 38908228 DOI: 10.1016/j.bandc.2024.106200] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 04/06/2024] [Revised: 06/10/2024] [Accepted: 06/16/2024] [Indexed: 06/24/2024]
Abstract
Research investigating the neural processes related to music perception and production constitutes a well-established field within the cognitive neurosciences. While most neuroimaging tools have limitations in studying the complexity of musical experiences, functional Near-Infrared Spectroscopy (fNIRS) represents a promising, relatively new tool for studying music processes in both laboratory and ecological settings, which is also suitable for both typical and pathological populations across development. Here we systematically review fNIRS studies on music cognition, highlighting prospects and potentialities. We also include an overview of fNIRS basic theory, together with a brief comparison to characteristics of other neuroimaging tools. Fifty-nine studies meeting inclusion criteria (i.e., using fNIRS with music as the primary stimulus) are presented across five thematic sections. Critical discussion of methodology leads us to propose guidelines of good practices aiming for robust signal analyses and reproducibility. A continuously updated world map is proposed, including basic information from studies meeting the inclusion criteria. It provides an organized, accessible, and updatable reference database, which could serve as a catalyst for future collaborations within the community. In conclusion, fNIRS shows potential for investigating cognitive processes in music, particularly in ecological contexts and with special populations, aligning with current research priorities in music cognition.
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Affiliation(s)
- Federico Curzel
- Laboratoire d'Étude des Mécanismes Cognitifs (EMC), Université Lumière Lyon 2, Bron, Auvergne-Rhône-Alpes, 69500, France; Lyon Neuroscience Research Center (CRNL), INSERM, U1028, CNRS, UMR 5292, Université Claude Bernard Lyon1, Université de Lyon, Bron, Auvergne-Rhône-Alpes, 69500, France.
| | - Barbara Tillmann
- Lyon Neuroscience Research Center (CRNL), INSERM, U1028, CNRS, UMR 5292, Université Claude Bernard Lyon1, Université de Lyon, Bron, Auvergne-Rhône-Alpes, 69500, France; LEAD CNRS UMR5022, Université de Bourgogne-Franche Comté, Dijon, Bourgogne-Franche Comté 21000, France.
| | - Laura Ferreri
- Laboratoire d'Étude des Mécanismes Cognitifs (EMC), Université Lumière Lyon 2, Bron, Auvergne-Rhône-Alpes, 69500, France; Department of Brain and Behavioural Sciences, Università di Pavia, Pavia, Lombardia 27100, Italy.
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Curzel F, Osiurak F, Trân E, Tillmann B, Ripollés P, Ferreri L. Enhancing musical pleasure through shared musical experience. iScience 2024; 27:109964. [PMID: 38832017 PMCID: PMC11145343 DOI: 10.1016/j.isci.2024.109964] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [Track Full Text] [Download PDF] [Figures] [Journal Information] [Subscribe] [Scholar Register] [Received: 10/13/2023] [Revised: 03/22/2024] [Accepted: 05/09/2024] [Indexed: 06/05/2024] Open
Abstract
Music and social interactions represent two of the most important sources of pleasure in our lives, both engaging the mesolimbic dopaminergic system. However, there is limited understanding regarding whether and how sharing a musical activity in a social context influences and modifies individuals' rewarding experiences. Here, we aimed at (1) modulating the pleasure derived from music under different social scenarios and (2) further investigating its impact on reward-related prosocial behavior and memory. Across three online experiments, we simulated a socially shared music listening and found that participants' music reward was significantly modulated by the social context, with higher reported pleasure for greater levels of social sharing. Furthermore, the increased pleasure reported by the participants positively influenced prosocial behavior and memory outcomes, highlighting the facilitating role of socially boosted reward. These findings provide evidence about the rewarding nature of socially driven music experiences, with important potential implications in educational and clinical settings.
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Affiliation(s)
- Federico Curzel
- Laboratoire d’Étude des Mécanismes Cognitifs (EMC), Université Lumière Lyon 2, 69500 Bron, Auvergne-Rhône-Alpes, France
- Lyon Neuroscience Research Center (CRNL), INSERM, U1028, CNRS, UMR 5292, Université Claude Bernard Lyon1, Université de Lyon, 69500 Bron, Auvergne-Rhône-Alpes, France
| | - François Osiurak
- Laboratoire d’Étude des Mécanismes Cognitifs (EMC), Université Lumière Lyon 2, 69500 Bron, Auvergne-Rhône-Alpes, France
- Institut Universitaire de France, 75005 Paris, Île-de-France, France
| | - Eléonore Trân
- Laboratoire d’Étude des Mécanismes Cognitifs (EMC), Université Lumière Lyon 2, 69500 Bron, Auvergne-Rhône-Alpes, France
| | - Barbara Tillmann
- Lyon Neuroscience Research Center (CRNL), INSERM, U1028, CNRS, UMR 5292, Université Claude Bernard Lyon1, Université de Lyon, 69500 Bron, Auvergne-Rhône-Alpes, France
- LEAD CNRS UMR5022, Université de Bourgogne-Franche Comté, 21000 Dijon, Bourgogne-Franche Comté, France
| | - Pablo Ripollés
- Department of Psychology, New York University, New York, NY 10003, USA
- Music and Audio Research Laboratory (MARL), New York University, New York, NY 11201, USA
- Center for Language, Music, and Emotion (CLaME), New York University, New York, NY 10003, USA
| | - Laura Ferreri
- Laboratoire d’Étude des Mécanismes Cognitifs (EMC), Université Lumière Lyon 2, 69500 Bron, Auvergne-Rhône-Alpes, France
- Department of Brain and Behavioural Sciences, Università di Pavia, 27100 Pavia, Lombardia, Italy
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10
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Hersh TA, Ravignani A, Whitehead H. Cetaceans are the next frontier for vocal rhythm research. Proc Natl Acad Sci U S A 2024; 121:e2313093121. [PMID: 38814875 PMCID: PMC11194516 DOI: 10.1073/pnas.2313093121] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Grants] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Indexed: 06/01/2024] Open
Abstract
While rhythm can facilitate and enhance many aspects of behavior, its evolutionary trajectory in vocal communication systems remains enigmatic. We can trace evolutionary processes by investigating rhythmic abilities in different species, but research to date has largely focused on songbirds and primates. We present evidence that cetaceans-whales, dolphins, and porpoises-are a missing piece of the puzzle for understanding why rhythm evolved in vocal communication systems. Cetaceans not only produce rhythmic vocalizations but also exhibit behaviors known or thought to play a role in the evolution of different features of rhythm. These behaviors include vocal learning abilities, advanced breathing control, sexually selected vocal displays, prolonged mother-infant bonds, and behavioral synchronization. The untapped comparative potential of cetaceans is further enhanced by high interspecific diversity, which generates natural ranges of vocal and social complexity for investigating various evolutionary hypotheses. We show that rhythm (particularly isochronous rhythm, when sounds are equally spaced in time) is prevalent in cetacean vocalizations but is used in different contexts by baleen and toothed whales. We also highlight key questions and research areas that will enhance understanding of vocal rhythms across taxa. By coupling an infraorder-level taxonomic assessment of vocal rhythm production with comparisons to other species, we illustrate how broadly comparative research can contribute to a more nuanced understanding of the prevalence, evolution, and possible functions of rhythm in animal communication.
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Affiliation(s)
- Taylor A. Hersh
- Marine Mammal Institute, Oregon State University, Newport, OR97365
- Comparative Bioacoustics Group, Max Planck Institute for Psycholinguistics, Nijmegen6525 XD, The Netherlands
- Department of Biology, Dalhousie University, HalifaxNS B3H 4R2, Canada
| | - Andrea Ravignani
- Comparative Bioacoustics Group, Max Planck Institute for Psycholinguistics, Nijmegen6525 XD, The Netherlands
- Center for Music in the Brain, Department of Clinical Medicine, Aarhus University, Aarhus8000, Denmark
- Department of Human Neurosciences, Sapienza University of Rome, Rome00185, Italy
| | - Hal Whitehead
- Department of Biology, Dalhousie University, HalifaxNS B3H 4R2, Canada
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Etani T, Miura A, Kawase S, Fujii S, Keller PE, Vuust P, Kudo K. A review of psychological and neuroscientific research on musical groove. Neurosci Biobehav Rev 2024; 158:105522. [PMID: 38141692 DOI: 10.1016/j.neubiorev.2023.105522] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 05/18/2023] [Revised: 12/18/2023] [Accepted: 12/19/2023] [Indexed: 12/25/2023]
Abstract
When listening to music, we naturally move our bodies rhythmically to the beat, which can be pleasurable and difficult to resist. This pleasurable sensation of wanting to move the body to music has been called "groove." Following pioneering humanities research, psychological and neuroscientific studies have provided insights on associated musical features, behavioral responses, phenomenological aspects, and brain structural and functional correlates of the groove experience. Groove research has advanced the field of music science and more generally informed our understanding of bidirectional links between perception and action, and the role of the motor system in prediction. Activity in motor and reward-related brain networks during music listening is associated with the groove experience, and this neural activity is linked to temporal prediction and learning. This article reviews research on groove as a psychological phenomenon with neurophysiological correlates that link musical rhythm perception, sensorimotor prediction, and reward processing. Promising future research directions range from elucidating specific neural mechanisms to exploring clinical applications and socio-cultural implications of groove.
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Affiliation(s)
- Takahide Etani
- School of Medicine, College of Medical, Pharmaceutical, and Health, Kanazawa University, Kanazawa, Japan; Graduate School of Media and Governance, Keio University, Fujisawa, Japan; Advanced Research Center for Human Sciences, Waseda University, Tokorozawa, Japan.
| | - Akito Miura
- Faculty of Human Sciences, Waseda University, Tokorozawa, Japan
| | - Satoshi Kawase
- The Faculty of Psychology, Kobe Gakuin University, Kobe, Japan
| | - Shinya Fujii
- Faculty of Environment and Information Studies, Keio University, Fujisawa, Japan
| | - Peter E Keller
- Center for Music in the Brain, Aarhus University, Aarhus, Denmark/The Royal Academy of Music Aarhus/Aalborg, Denmark; The MARCS Institute for Brain, Behaviour and Development, Western Sydney University, Penrith, Australia
| | - Peter Vuust
- Center for Music in the Brain, Aarhus University, Aarhus, Denmark/The Royal Academy of Music Aarhus/Aalborg, Denmark
| | - Kazutoshi Kudo
- Graduate School of Arts and Sciences, The University of Tokyo, Tokyo, Japan
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12
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Colverson A, Barsoum S, Cohen R, Williamson J. Rhythmic musical activities may strengthen connectivity between brain networks associated with aging-related deficits in timing and executive functions. Exp Gerontol 2024; 186:112354. [PMID: 38176601 DOI: 10.1016/j.exger.2023.112354] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 11/06/2023] [Revised: 12/14/2023] [Accepted: 12/27/2023] [Indexed: 01/06/2024]
Abstract
Brain aging and common conditions of aging (e.g., hypertension) affect networks important in organizing information, processing speed and action programming (i.e., executive functions). Declines in these networks may affect timing and could have an impact on the ability to perceive and perform musical rhythms. There is evidence that participation in rhythmic musical activities may help to maintain and even improve executive functioning (near transfer), perhaps due to similarities in brain regions underlying timing, musical rhythm perception and production, and executive functioning. Rhythmic musical activities may present as a novel and fun activity for older adults to stimulate interacting brain regions that deteriorate with aging. However, relatively little is known about neurobehavioral interactions between aging, timing, rhythm perception and production, and executive functioning. In this review, we account for these brain-behavior interactions to suggest that deeper knowledge of overlapping brain regions associated with timing, rhythm, and cognition may assist in designing more targeted preventive and rehabilitative interventions to reduce age-related cognitive decline and improve quality of life in populations with neurodegenerative disease. Further research is needed to elucidate the functional relationships between brain regions associated with aging, timing, rhythm perception and production, and executive functioning to direct design of targeted interventions.
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Affiliation(s)
- Aaron Colverson
- Memory and Aging Center, Weill Institute for Neurosciences, University of California, 1651 4th street, San Francisco, CA, United States of America.
| | - Stephanie Barsoum
- Center for Cognitive Aging and Memory, College of Medicine, University of Florida, PO Box 100277, Gainesville, FL 32610-0277, United States of America
| | - Ronald Cohen
- Center for Cognitive Aging and Memory, College of Medicine, University of Florida, PO Box 100277, Gainesville, FL 32610-0277, United States of America
| | - John Williamson
- Center for Cognitive Aging and Memory, College of Medicine, University of Florida, PO Box 100277, Gainesville, FL 32610-0277, United States of America
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13
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Fram NR, Liu T, Lense MD. Social interaction links active musical rhythm engagement and expressive communication in autistic toddlers. Autism Res 2024; 17:338-354. [PMID: 38197536 PMCID: PMC10922396 DOI: 10.1002/aur.3090] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Grants] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Received: 06/19/2023] [Accepted: 12/17/2023] [Indexed: 01/11/2024]
Abstract
Rhythm is implicated in both social and linguistic development. Rhythm perception and production skills are also key vulnerabilities in neurodevelopmental disorders such as autism which impact social communication. However, direct links between musical rhythm engagement and expressive communication in autism is not clearly evident. This absence of a direct connection between rhythm and expressive communication indicates that the mechanism of action between rhythm and expressive communication may recruit other cognitive or developmental factors. We hypothesized that social interactions, including general interpersonal relationships and interactive music-making involving children and caregivers, were a significant such factor, particularly in autism. To test this, we collected data from parents of autistic and nonautistic children 14-36 months of age, including parent reports of their children's rhythmic musical engagement, general social skills, parent-child musical interactions, and expressive communication skills. Path analysis revealed a system of independent, indirect pathways from rhythmic musical engagement to expressive communication via social skills and parent-child musical interactions in autistic toddlers. Such a system implies both that social and musical interactions represent crucial links between rhythm and language and that different kinds of social interactions play parallel, independent roles linking rhythmic musical engagement with expressive communication skills.
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Affiliation(s)
- Noah R. Fram
- Department of Otolaryngology–Head and Neck Surgery, Vanderbilt University Medical Center
| | - Talia Liu
- Department of Otolaryngology–Head and Neck Surgery, Vanderbilt University Medical Center
- Department of Speech, Language, and Hearing Sciences, Boston University
| | - Miriam D. Lense
- Department of Otolaryngology–Head and Neck Surgery, Vanderbilt University Medical Center
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Bouwer FL, Háden GP, Honing H. Probing Beat Perception with Event-Related Potentials (ERPs) in Human Adults, Newborns, and Nonhuman Primates. ADVANCES IN EXPERIMENTAL MEDICINE AND BIOLOGY 2024; 1455:227-256. [PMID: 38918355 DOI: 10.1007/978-3-031-60183-5_13] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Track Full Text] [Subscribe] [Scholar Register] [Indexed: 06/27/2024]
Abstract
The aim of this chapter is to give an overview of how the perception of rhythmic temporal regularity such as a regular beat in music can be studied in human adults, human newborns, and nonhuman primates using event-related brain potentials (ERPs). First, we discuss different aspects of temporal structure in general, and musical rhythm in particular, and we discuss the possible mechanisms underlying the perception of regularity (e.g., a beat) in rhythm. Additionally, we highlight the importance of dissociating beat perception from the perception of other types of structure in rhythm, such as predictable sequences of temporal intervals, ordinal structure, and rhythmic grouping. In the second section of the chapter, we start with a discussion of auditory ERPs elicited by infrequent and frequent sounds: ERP responses to regularity violations, such as mismatch negativity (MMN), N2b, and P3, as well as early sensory responses to sounds, such as P1 and N1, have been shown to be instrumental in probing beat perception. Subsequently, we discuss how beat perception can be probed by comparing ERP responses to sounds in regular and irregular sequences, and by comparing ERP responses to sounds in different metrical positions in a rhythm, such as on and off the beat or on strong and weak beats. Finally, we will discuss previous research that has used the aforementioned ERPs and paradigms to study beat perception in human adults, human newborns, and nonhuman primates. In doing so, we consider the possible pitfalls and prospects of the technique, as well as future perspectives.
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Affiliation(s)
- Fleur L Bouwer
- Cognitive Psychology Unit, Institute of Psychology, Leiden Institute for Brain and Cognition, Leiden University, Leiden, The Netherlands.
- Department of Psychology, Brain & Cognition, University of Amsterdam, Amsterdam, The Netherlands.
| | - Gábor P Háden
- Institute of Cognitive Neuroscience and Psychology, Budapest, Hungary
- Department of Telecommunications and Media Informatics, Faculty of Electrical Engineering and Informatics, Budapest University of Technology and Economics, Budapest, Hungary
| | - Henkjan Honing
- Music Cognition group (MCG), Institute for Logic, Language and Computation (ILLC), Amsterdam Brain and Cognition (ABC), University of Amsterdam, Amsterdam, The Netherlands
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von Schnehen A, Hobeika L, Houot M, Recher A, Puisieux F, Huvent-Grelle D, Samson S. Sensorimotor Impairment in Aging and Neurocognitive Disorders: Beat Synchronization and Adaptation to Tempo Changes. J Alzheimers Dis 2024; 100:945-959. [PMID: 38995777 PMCID: PMC11307093 DOI: 10.3233/jad-231433] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Accepted: 05/27/2024] [Indexed: 07/14/2024]
Abstract
Background Understanding the nature and extent of sensorimotor decline in aging individuals and those with neurocognitive disorders (NCD), such as Alzheimer's disease, is essential for designing effective music-based interventions. Our understanding of rhythmic functions remains incomplete, particularly in how aging and NCD affect sensorimotor synchronization and adaptation to tempo changes. Objective This study aimed to investigate how aging and NCD severity impact tapping to metronomes and music, with and without tempo changes. Methods Patients from a memory clinic participated in a tapping task, synchronizing with metronomic and musical sequences, some of which contained sudden tempo changes. After exclusions, 51 patients were included in the final analysis. Results Participants' Mini-Mental State Examination scores were associated with tapping consistency. Additionally, age negatively influenced consistency when synchronizing with a musical beat, whereas consistency remained stable across age when tapping with a metronome. Conclusions The results indicate that the initial decline of attention and working memory with age may impact perception and synchronization to a musical beat, whereas progressive NCD-related cognitive decline results in more widespread sensorimotor decline, affecting tapping irrespective of audio type. These findings underline the importance of customizing rhythm-based interventions to the needs of older adults and individuals with NCD, taking into consideration their cognitive as well as their rhythmic aptitudes.
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Affiliation(s)
- Andres von Schnehen
- ULR 4072 – PSITEC – Psychologie: Interactions, Temps, Emotions, Cognition, Lille University, Lille, France
| | - Lise Hobeika
- ULR 4072 – PSITEC – Psychologie: Interactions, Temps, Emotions, Cognition, Lille University, Lille, France
- Institut du Cerveau – Paris Brain Institute – ICM, Inserm, CNRS, APHP, Hôpital de la Pitié Salpêtrière, Sorbonne Université, Paris, France
- Institut Pasteur, Inserm, Institut de l’Audition, Université Paris Cité, Paris, France
| | - Marion Houot
- Centre of Excellence of Neurodegenerative Disease (CoEN), AP-HP, Pitié-Salpêtrière Hospital, Paris, France
- Department of Neurology, Institute of Memory and Alzheimer’s Disease (IM2A), AP-HP, Pitié-Salpêtrière Hospital, Paris, France
- Clinical Investigation Centre, Institut du Cerveau et de la Moelle épinière (ICM), Pitié-Salpêtrière Hospital, Paris, France
| | - Arnaud Recher
- STMS, IRCAM, Sorbonne Université, CNRS, Ministère de la Culture, Paris, France
| | - François Puisieux
- Hôpital Gériatrique les Bateliers, Pôle de Gérontologie, CHU Lille, Lille, France
| | | | - Séverine Samson
- ULR 4072 – PSITEC – Psychologie: Interactions, Temps, Emotions, Cognition, Lille University, Lille, France
- Institut du Cerveau – Paris Brain Institute – ICM, Inserm, CNRS, APHP, Hôpital de la Pitié Salpêtrière, Sorbonne Université, Paris, France
- Institut Pasteur, Inserm, Institut de l’Audition, Université Paris Cité, Paris, France
- Epilepsy Unit, AP-HP, GHU Pitié-Salpêtrière-Charles Foix, Paris, France
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16
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Fiveash A, Ladányi E, Camici J, Chidiac K, Bush CT, Canette LH, Bedoin N, Gordon RL, Tillmann B. Regular rhythmic primes improve sentence repetition in children with developmental language disorder. NPJ SCIENCE OF LEARNING 2023; 8:23. [PMID: 37429839 PMCID: PMC10333339 DOI: 10.1038/s41539-023-00170-1] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [Grants] [Track Full Text] [Subscribe] [Scholar Register] [Received: 10/18/2022] [Accepted: 06/07/2023] [Indexed: 07/12/2023]
Abstract
Recently reported links between rhythm and grammar processing have opened new perspectives for using rhythm in clinical interventions for children with developmental language disorder (DLD). Previous research using the rhythmic priming paradigm has shown improved performance on language tasks after regular rhythmic primes compared to control conditions. However, this research has been limited to effects of rhythmic priming on grammaticality judgments. The current study investigated whether regular rhythmic primes could also benefit sentence repetition, a task requiring proficiency in complex syntax-an area of difficultly for children with DLD. Regular rhythmic primes improved sentence repetition performance compared to irregular rhythmic primes in children with DLD and with typical development-an effect that did not occur with a non-linguistic control task. These findings suggest processing overlap for musical rhythm and linguistic syntax, with implications for the use of rhythmic stimulation for treatment of children with DLD in clinical research and practice.
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Affiliation(s)
- Anna Fiveash
- Lyon Neuroscience Research Center, CNRS, UMR 5292, INSERM U1028, F-69000, Lyon, France.
- University of Lyon 1, Lyon, France.
- The MARCS Institute for Brain, Behaviour and Development, Western Sydney University, Sydney, Australia.
| | - Enikő Ladányi
- Department of Otolaryngology - Head & Neck Surgery, Vanderbilt University Medical Center, Nashville, TN, USA.
- Department of Linguistics, University of Potsdam, Potsdam, Germany.
| | - Julie Camici
- Lyon Neuroscience Research Center, CNRS, UMR 5292, INSERM U1028, F-69000, Lyon, France
- University of Lyon 1, Lyon, France
| | - Karen Chidiac
- Lyon Neuroscience Research Center, CNRS, UMR 5292, INSERM U1028, F-69000, Lyon, France
- University of Lyon 1, Lyon, France
| | - Catherine T Bush
- Department of Otolaryngology - Head & Neck Surgery, Vanderbilt University Medical Center, Nashville, TN, USA
| | - Laure-Hélène Canette
- Lyon Neuroscience Research Center, CNRS, UMR 5292, INSERM U1028, F-69000, Lyon, France
- University of Lyon 1, Lyon, France
| | - Nathalie Bedoin
- Lyon Neuroscience Research Center, CNRS, UMR 5292, INSERM U1028, F-69000, Lyon, France
- University of Lyon 1, Lyon, France
- University of Lyon 2, Lyon, F-69000, France
| | - Reyna L Gordon
- Department of Otolaryngology - Head & Neck Surgery, Vanderbilt University Medical Center, Nashville, TN, USA
- Vanderbilt Brain Institute, Vanderbilt University, Nashville, TN, USA
- Vanderbilt Genetics Institute, Vanderbilt University, Nashville, TN, USA
- Vanderbilt Kennedy Center, Vanderbilt University Medical Center, Nashville, TN, USA
| | - Barbara Tillmann
- Lyon Neuroscience Research Center, CNRS, UMR 5292, INSERM U1028, F-69000, Lyon, France
- University of Lyon 1, Lyon, France
- Laboratory for Research on Learning and Development, LEAD - CNRS UMR5022, Université de Bourgogne, Dijon, France
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Wolff L, Quan Y, Perry G, Forde Thompson W. Music Engagement as a Source of Cognitive Reserve. Am J Alzheimers Dis Other Demen 2023; 38:15333175231214833. [PMID: 37993973 PMCID: PMC10666690 DOI: 10.1177/15333175231214833] [Citation(s) in RCA: 0] [Impact Index Per Article: 0] [Reference Citation Analysis] [Abstract] [Key Words] [MESH Headings] [Grants] [Track Full Text] [Journal Information] [Subscribe] [Scholar Register] [Indexed: 11/24/2023]
Abstract
Music engagement is a ubiquitous activity that is thought to have cognitive benefits for the rapidly aging population. In the absence of robust treatment approaches for many age-related and neuropathological health issues, interest has emerged surrounding lifestyle-enriching activities, like exercise and music engagement, to build cognitive reserve across the lifespan and preserve neurocognitive function in older adults. The present review evaluates evidence of neurocognitive preservation arising from lifelong music engagement with respect to the cognitive reserve hypothesis. We collated a body of neuroimaging, behavioral and epidemiological evidence to adjudicate the benefits of music engagement for cognitive reserve. The findings suggest that music engagement should be considered in tandem with other well-established cognitive reserve proxies as a contributor to differential clinical outcomes in older populations at risk of age-related and neuropathological cognitive decline.
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Affiliation(s)
- Lee Wolff
- Department of Psychology, Bond University, Robina, QLD, Australia
| | - Yixue Quan
- Department of Psychology, Macquarie University, Sydney, NSW, Australia
| | - Gemma Perry
- Department of Psychology, Bond University, Robina, QLD, Australia
| | - William Forde Thompson
- Department of Psychology, Bond University, Robina, QLD, Australia
- Department of Psychology, Macquarie University, Sydney, NSW, Australia
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