Pigments Checker version 3.0, a handy set for conservation scientists: A free online Raman spectra database

Vitruvius-like synthesis of Egyptian Blue using Roman coins as copper source

The modern synthesis of Egyptian Blue has been attempted - mostly with success- by many researchers, since the scientific community has been working on this experimentation for more than a century. The aim is that of reconstructing the chaîne opératoire used in the past to produce this pigment, among the first synthetic ones in the history, whose colour is due to the blue copper silicate cuprorivaite. Almost all the experiments carried out up to now in this sense have used malachite or commercial CuO as copper source in the receipt, contrarily to what stated by Vitruvius who described the procedure as using copper filings, probably obtained from scrap metal. The aim of this paper is that of filling this gap in the literature in the direction of the use of alloys filings. For this reason, copper filings from two Roman coins of private collection were used to synthesize Egyptian Blue, and the results were compared with different attempts made with malachite and with two ancient samples of archaeological origin. We also aimed to evaluate the role of Egyptian Blue grains added to the preparations to act as seeds during the reactions. Preliminary investigations with optical microscopy, spectrocolorimetry and Visible Induced Luminesce (VIL) were used to discard the products less compatible with the archaeological Egyptian Blue samples. Then, Raman spectroscopy and X-ray Diffraction (XRD) were employed to analyse the most closely related products. While the use of a coin with arsenic impurities caused the synthesis of copper arsenate as blue phase, the test with a purer coin and Egyptian Blue nucleating agents was successful, giving rise to cuprorivaite crystallization. Raman spectroscopy was also used to monitor in situ the transformations during the firing, which took place in a heating stage positioned under the spectrometer's microscope; these experiments highlighted the difficulty of following the structural evolution in situ at high temperatures in heterogeneous mixtures that sometimes pass through liquid phases.

Syntheses of Prussian Blue Pigment Following 18th-Century Methodologies: Factors Influencing Product Purity and Syntheses Yields

In the present work, Prussian blue syntheses were performed based on the methodologies described in "The Handmaid to the Arts Teaching", v.1 and 2 (1758). Since calcination is considered the crucial step in the synthesis, the reagents and parameters of this step, such as time, temperature, and calcination vessel, were varied. Attempting to reproduce the calcination as closely as possible to the original description, in addition to commercial reagents (potassium carbonate, blood meal, alum, and iron(II) sulfate), reagents such as in natura ox blood and ash alkali were employed. The ox blood was dried in a muffle furnace and then macerated. The ash alkali was obtained by Candeia wood (Eremanthus erythropappus) ash lye, and its composition was characterized by the compounds K2CO3, KHCO3, K2SO4, KCl, K2O, and SiO2. In the calcination step, alumina or iron vessels were used. It was observed that the iron vessel enhanced the reaction yield, as did the amount of HCl added in the last step of the synthesis. The results of the calcination time and temperature parameters are related to the material of the vessel used; however, a minimum temperature of 400 °C was necessary for the formation of Prussian blue. Impurities of amorphous carbon, KCl, alum, sulfates/sulfides, and aluminum hydroxide were also identified.

Chemistry of Street Art: Neural Network for the Spectral Analysis of Berlin Wall Colors

This research starts with the analysis of some fragments of the Berlin Wall street art for the characterization of the painting materials. The spectroscopic results provide a general description of the paint executive technique but more importantly open the way to a new advantage of Raman application to the analytic analysis of acrylic colors. The study highlights the correlation between peak intensity and compound percentage and explores the powerful application of deep learning for the quantification of a pigment mixture in the acrylic commercial products from Raman spectra acquired with hand-held equipment (BRAVO by Bruker). The study reveals the ability of the convolutional neural network (CNN) algorithm to analyze the spectra and predict the ratio between the coloring compounds. The reference materials for calibration and training were obtained by the dilution of commercial acrylic colors commonly practiced by street artists, using Schmincke brand paints. For the first time, Raman investigation provides valuable insights into calibrations for determining dye dilution in mixtures of commercial products, offering a new opportunity for analytical quantification with Raman hand-held spectrometers and contributing to a comprehensive understanding of artists' techniques and materials in street art.

Airborne microplastic pollution detected in the atmosphere of the South Shetland Islands in Antarctica

Plastic pollution has emerged as a growing environmental concern, affecting even the most remote regions of the planet as the Antarctic continent, endangering its ecosystem and contributing to climate change. In this context, a continuous atmospheric microplastics monitoring study was conducted at Carlini Argentine Antarctic Station located in the southwest of 25 de Mayo (King George) Island (South Shetlands). Passive samplers were installed at three locations throughout the station, chosen based on the intensity of human activity and proved to be effective in collecting atmospheric particles over a one-year study period. Micro-FTIR and micro-Raman spectroscopies were used to characterize the suspected microplastic particles. These techniques revealed a wide variety of plastic polymers compositions and industrial dyes associated with textile and plastic materials. Microfibers were found to be the predominant particle form, constituting approximately 80% of the particles detected at each sampling point. Semi-synthetic cotton, polyester, and polyamide were widely detected, along with other plastic compositions. Micro-Raman spectroscopy confirmed the presence of indigo blue, reactive blue 238, and copper phthalocyanine on both synthetic and semi-synthetic fibers, representing the first report of these types of anthropogenic pigments in the Antarctic atmosphere. The results suggest a significant role of short-range transport from local human activities; however, the potential influence of large-scale atmospheric patterns should also be evaluated. Our findings highlight the need to expand the monitoring network to additional scientific stations and remote regions with minimal human activity. Increasing the number of observational sites and conducting complementary studies on airborne dispersion will strengthen assessments of potential long-range pollution sources.

An analytical strategy for challenging members of the microplastic family: Particles from anti-corrosion coatings

Potentially hazardous particles from paints and functional coatings are an overlooked fraction of microplastic (MP) pollution since their accurate identification and quantification in environmental samples remains difficult. We have applied the most relevant techniques from the field of microplastic analysis for their suitability to chemically characterize anti-corrosion coatings containing a variety of polymer binders (LDIR, Raman and FTIR spectroscopy, Py-GC/MS) and inorganic additives (ICP-MS/MS). We present the basis of a possible toolbox to study the release and fate of coating particles in the (marine) environment. Our results indicate that, due to material properties, spectroscopic methods alone appear to be unsuitable for quantification of coating/paint particles and underestimate their environmental abundance. ICP-MS/MS and an optimized Py-GC/MS approach in combination with multivariate statistics enables a straightforward comparison of the multi-elemental and organic additive fingerprints of paint particles. The approach can improve the identification of unknown particles in environmental samples by an assignment to different typically used coating types. In future, this approach may facilitate allocation of emission sources of different environmental paint/coating particles. Indeed, future work will be required to tackle various remaining analytical challenges, such as optimized particle extraction/separation of environmental coating particles.

Laser-based analytical techniques in cultural heritage science - Tutorial review

This tutorial review combines the fundamentals of the design and operation of lasers with their usage in applications related to conservation and cultural heritage (CH) science - as components of analytical devices for the study of the chemical composition of materials. The development of laser instruments and their fundamental physical background, including a short explanation of their properties and parameters, are briefly summarised, and an overview of different laser-based analytical techniques is given. The analytical techniques covered in this tutorial are divided into three groups based on their technical aspects and properties: (1) vibrational spectroscopy, (2) elemental analysis, and (3) different molecular mass spectrometric techniques.

LEGO Blocks as "Standard" Samples for Evaluation of Fluorescence Avoidance and Mitigation in Raman Spectroscopy

Fluorescence interference in Raman spectroscopy is a well-known problem and is especially significant in portable instruments where the availability of a variety of exciting wavelengths is unlikely. Several fluorescence avoidance and mitigation schemes are described in the literature, and implemented by Raman spectrometer manufacturers, but there is no standard method for evaluating the accuracy and repeatability of these schemes. Some test samples shown in instrument descriptions, such as "dark rum" and "sesame seed oil" are not reproducible. Therefore, we propose a set of colored LEGO blocks as "standard" samples for this purpose; they have the attractive properties of being very low cost, rugged, non-toxic, easy to transport and store, and appear to be manufactured using a standard process. This paper shows the Raman spectra of a set of these blocks at different excitation wavelengths, acquired on laboratory instruments, along with their visible-near-infrared spectra. The goal is to qualitatively understand the origins of the observed fluorescence and lay the groundwork for exploring the effectiveness of methods currently implemented on handheld Raman instruments.

Microplastics and anthropogenic debris in rainwater from Bahia Blanca, Argentina

Concern about atmospheric microplastic (MP) contamination has increased in recent years. This study assessed the abundance of airborne anthropogenic particles, including MPs, deposited in rainfall in Bahia Blanca, southwest Buenos Aires, Argentina. Rainwater samples were collected monthly from March to December 2021 using an active wet-only collector consisting of a glass funnel and a PVC pipe that is only open during rain events. Results obtained show that all rain samples contained anthropogenic debris. The term "anthropogenic debris" is used to refer to the total number of particles as not all the particles found could be determined as plastic. Among all the samples, an average deposition of 77 ± 29 items (anthropogenic debris) m^-2d^-1 was found. The highest deposition was observed in November (148 items m^-2d^-1) while the lowest was found in March (46 items m^-2d^-1). Anthropogenic debris ranged in size from 0.1 mm to 3.87 mm with the most abundant particles being smaller than 1 mm (77.8%). The dominant form of particles found were fibers (95%), followed by fragments (3.1%). Blue color predominated (37.2%) in the total number of samples, followed by light blue (23.3%) and black (21.7%). Further, small particles (<2 mm), apparently composed of mineral material and plastic fibers, were recognized. The chemical composition of suspected MPs was examined by Raman microscopy. The analysis of μ-Raman spectra confirmed the presence of polystyrene, polyethylene terephthalate, and polyethylene vinyl acetate fibers and provided evidence of fibers containing industrial additives such as indigo dye. This is the first assessment of MP pollution in rain in Argentina.

Sensing soluble molecules through SERS substrates in one-step procedure: Unrevealing the Meiji woodblock printing materials

Ultrasensitive SERS substrates allowed us to detect complex mixtures of coloring components from Meiji Japanese woodblock prints (1868-1912). In museum settings, compositional analyses have limitations due to restrictions to sampling advised by conservators and curators for the adequate preservation of the objects. An additional layer of complexity is brought by the high heterogeneity of heritage materials, usually not resolved with commercial portable instruments. High-performance instruments for in situ analyses are seldom available in museums. Furthermore, the chambers of most instruments for morphological or chemical characterization accommodate small samples rather than large or medium-sized objects. The innovative sampling strategy herein proposed comprises the gentle touch-dry removal of small coloring molecules weakly bound to the surface of heritage objects, transferred through a silicone sampler to planar SERS substrates with selected solvents in a one-step procedure. The analytical protocol reduces the amount of sample necessary for reliable identification of color components down to nanograms. The selectivity of the solvents combined with the geometry of the planar SERS sensing devices produces reliable signals for molecular identification, with no need for incision or wetting of the printed material. Further, 3D Raman imaging allowed us to reach an unprecedented degree of molecular discrimination, advancing previously available minimally-invasive instrumental methods used in heritage science research. The validation with historical inks from Meiji woodblock prints led to the identification of soluble synthetic azo β-naphthols, barium sulfonic lakes, purple anilines, Prussian blue, glass arsenic sulfides and other traditional coloring media.

Neural Networks for Hyperspectral Imaging of Historical Paintings: A Practical Review

Hyperspectral imaging (HSI) has become widely used in cultural heritage (CH). This very efficient method for artwork analysis is connected with the generation of large amounts of spectral data. The effective processing of such heavy spectral datasets remains an active research area. Along with the firmly established statistical and multivariate analysis methods, neural networks (NNs) represent a promising alternative in the field of CH. Over the last five years, the application of NNs for pigment identification and classification based on HSI datasets has drastically expanded due to the flexibility of the types of data they can process, and their superior ability to extract structures contained in the raw spectral data. This review provides an exhaustive analysis of the literature related to NNs applied for HSI data in the CH field. We outline the existing data processing workflows and propose a comprehensive comparison of the applications and limitations of the various input dataset preparation methods and NN architectures. By leveraging NN strategies in CH, the paper contributes to a wider and more systematic application of this novel data analysis method.

Microplastics contamination in the fishes of selected sites in Pasig River and Marikina River in the Philippines

Microplastics (MPs), <5 mm in size, are a concerning pollutant in bodies of water because they can be ingested by biological organisms, posing risks to humans and the environment. This study assessed the extent of MPs contamination in various fish species (Oreochromis niloticus, Arius manillensis, and Pterygoplichthys spp.) in selected sites along two major river systems in the Philippines - Pasig and Marikina Rivers. An optimized Raman microspectroscopy technique was used for imaging and identification of MPs using a mean laser spot size of about 1 μm, which is advantageous in the identification of fibers which have small diameters (<50 μm). It also allowed the simultaneous identification of MPs and their pigment additives, which in turn enabled the tracing of possible sources of these MPs. This is important because the fate and accumulation of MPs in rivers systems, as well as its toxicity is dependent on various factors including polymer type and surface chemistry. Majority of the MPs identified from all the fish species were composed of polypropylene and polyethylene in the form of fragments, which reflects both the widespread use of these polymers for packaging and their environmental fate as riverine plastic debris. Moreover, the detection of MPs in the fish species may affect the food chain and eventually pose health risks for humans. The study could provide guidance on waste and environmental water management in the surrounding region.

Pigments and Techniques of Hellenistic Apulian Tomb Painting

The wall paintings of five Hellenistic tombs in Apulia were analysed using a multi-technique approach to discern the painting techniques used and contextualise them within the phenomenon of Hellenistic tomb painting in Southern Italy. In particular, the question was asked whether technical knowledge played a role in the reception of Hellenistic artistic models and whether this knowledge was present locally. Raman and IR spectroscopies were used to identify pigments, colourants, and binders; light and electron microscopy were used to determine the structural characteristics of the paint layers and recognise the manufacturing technique. Analyses identified a fresco application for the Tomba dei Cavalieri (Arpi) and a dry application for the Canosian hypogea. The palette-typical for Hellenistic tomb painting in Southern Italy, Etruria and Macedonia-was composed of lime (white), charcoal (black), hematite (red), goethite (yellow), and Egyptian blue (blue). In the Tomba della Nike (Arpi), meanwhile, two particularly refined preparatory layers were observed. The palette was enriched with precious cinnabar and madder lake. The colouring components of the root were mixed with clay and K-alum applied on an additional layer of lime. The use of madder lake and a pink background link the painting to the polychrome Daunian pottery, and the contribution of a local workshop to the decoration of this tomb thus seems plausible.

Terahertz Time-Domain Spectroscopy in Reflection Configuration for Inorganic and Mineral Pigment Identification

This work demonstrates terahertz time-domain spectroscopy (THz-TDS) in reflection configuration on a class of inorganic and mineral pigments. The technique is validated for pictorial materials against the limitations imposed by the back-reflection of the THz signal, such as weak signal intensity, multiple signal losses and distortion, as well as the current scarce databases. This work provides a detailed description of the experimental procedure and method used for the determination of material absorption coefficient of a group of 10 pigments known to be used in ancient frescoes, that are, Cu-based (azurite, malachite, and Egyptian blue), Pb-based (minium and massicot), Fe-based (iron oxide yellow, dark ochre, hematite, and Pompeii red) pigments and mercury sulfide (cinnabar), and classified the vibrational modes of the molecular oxides and sulfides for material identification. The results of this work showed that the mild signal in reflection configuration does not limit the application of THz-TDS on inorganic and mineral pigments as long as (i) the THz signal is normalized with a highly reflective reference sample, (ii) the secondary reflected signals from inner interfaces are removed with a filtering procedure, and (iii) the limitations at high frequencies imposed by the dynamic range of the instrument are considered. Under these assumptions, we were able to differentiate molecular phases of the same metal and identify azurite, Egyptian blue, minium, and cinnabar, isolating the molecular vibrations up to 125 cm^-1. The established approach demonstrated to be reliable, and it can be extended for the study of other materials, well beyond the reach of the heritage domain.

Raman and ATR-FTIR analyses of medieval wall paintings from al-Qarawiyyin in Fez (Morocco)

A multi-analytical study has been undertaken to characterise wall paintings from the al-Qarawiyyin university in Fez, dating back to the 9th century and still in activity, with the aim of identifying the pigments used and going back to the painting techniques adopted by the Moroccan craftsmen of the time. The investigation crossed Raman and ATR-FTIR structural analyses along with XRF elemental ones, as well as colorimetric measurements. The colours and shades of six representative fragments collected during a recent excavation have been examined. Hence, red ochre (mainly hematite) was used to obtain brown-red colour, calcite for white, bistre for carbon-based black, while blue shades were achieved using azurite. Mixtures of pigments were created to widen the colour palette: cinnabar, minium and hematite were identified in orange hues while lapis lazuli and azurite were observed in grey-blue areas. The exploration of mortar layers revealed gypsum, gypsum/calcite and calcite type plasters. Furthermore, the observation of the morphological aspect of the interface between the plaster and the painting layer seems indicating that the lime-secco-painting skill had been the adopted painting technique.

Multi-analytical study of the medieval wall paintings from the rupestrian church Grotta del Crocifisso at Lentini (eastern Sicily): new evidence of the use of woad (Isatis tinctoria)

This study presents the results of the examination and characterisation of the wall paintings that decorate the rupestrian church named Grotta del Crocifisso, which is located in the territory of Lentini (eastern Sicily, few tens of kilometres from Catania and Syracuse). The earliest mural paintings in the church date back to the twelfth century AD. A multi-analytical approach was adopted for the characterisation of stone materials, secondary degradation products, and pigments. For this purpose, the following techniques were used: reflected light microscopy (RLM), polarised light microscopy on thin sections (PLM), X-ray powder diffraction (XRPD), mercury intrusion porosimetry (MIP), portable X-ray fluorescence (p-XRF), scanning electron microscopy (SEM-EDS), Fourier-transform infrared spectroscopy (FTIR), and Raman spectroscopy (RS). The lithic substrate and the plaster's coating layers were thoroughly characterised from compositional and textural points of view, and the use of locally available raw materials was established. Similarly, the newly formed crystalline phases produced by alteration processes of the original materials were recognised. The red, yellow, brown, and green pigments were easily identified by p-XRF and SEM-EDS. The use of "earth pigments" widely available in the surrounding area (various types of ochre) was thus highlighted. The recognition of the dark blue pigment created some additional issues in its identification, making further diagnostic methods necessary. In fact, the use of the most common mineral pigments was categorically excluded by both p-XRF and SEM-EDS, since no chromophore metallic elements were highlighted with the exception of trace amounts of iron. A combination of detailed microscopic observations together with the application of FTIR and RS supported the use of an organic pigment obtained from the maceration of woad (Isatis tinctoria). The green pigment is the result of a mixture between woad and yellow ochre. Woad is even today easily available in Sicily, and some additional experimental tests were carried out on Isatis tinctoria that had been freshly collected in the area (treated with traditional procedures). Over the past centuries, woad was widely used for dyeing fabrics, but its practice for wall paintings has only been sporadically proven. The identification reported in this case study could be considered a novelty at least in the Sicilian panorama.

SUPPLEMENTARY INFORMATION

The online version contains supplementary material available at 10.1007/s12520-022-01656-6.

Femtosecond pulse laser cleaning of spray paint from heritage stone surfaces

We explore the use of femtosecond laser pulses to clean a variety of colors of spray paint from the Moruya granite, a stone with high heritage value that is widely used for monuments and sculptures in Sydney and New South Wales (Australia). The efficiency of the cleaning treatment and the effects on the stone substrate are evaluated using optical microscopy, optical profilometry, Raman spectroscopy, energy-dispersive X-ray spectroscopy, and colorimetry. We demonstrate that femtosecond laser cleans granite without damaging it and without discoloration when the laser fluence is set below the damage threshold of the stone.

A Multi-Analytical Approach to Infer Mineral–Microbial Interactions Applied to Petroglyph Sites in the Negev Desert of Israel

Petroglyph sites exist all over the world. They are one of the earliest forms of mankind’s expression and a precursor to art. Despite their outstanding value, comprehensive research on conservation and preservation of rock art is minimal, especially as related to biodeterioration. For this reason, the main objective of this study was to explore the factors involved in the degradation of petroglyph sites in the Negev desert of Israel, with a focus on biodegradation processes. Through the use of culture-independent microbiological methods (metagenomics), we characterized the microbiomes of the samples, finding they were dominated by bacterial communities, in particular taxa of Actinobacteria and Cyanobacteria, with resistance to radiation and desiccation. By means of XRF and Raman spectroscopies, we defined the composition of the stone (calcite and quartz) and the dark crust (clay minerals with Mn and Fe oxides), unveiling the presence of carotenoids, indicative of biological colonization. Optical microscopy and SEM–EDX analyses on thin sections highlighted patterns of weathering, possibly connected to the presence of biodeteriorative microorganisms that leach the calcareous matrix from the bedrock and mobilize metal cations from the black varnish for metabolic processes, slowly weathering it.

Raman technology application for plastic waste management aligned with FAIR principle to support the forthcoming plastic and environment initiatives

Plastic production and worldwide use of plastic materials have continued to rise due to their convenience and excellent marketing advantages. This is generating an environmental crisis and global scale pollution which is one of the greatest threats to our planet. One of the best responses could be accomplished by improving recycling and waste management strategies. In this paper we conducted Raman analyses of representative stock of plastics aged in terrestrial or aquatic environments spanning in age up to 15 years. We aimed to establish any potential influence of the aging conditions on the Raman signature of specific plastics. This information is further used to build up a Raman logic gate for automatic sorting of plastic waste recovered from environment. Pigments and aging introduced indeed small changes in the Raman signature of the respective plastics. However, we were able to identify unique spectral ranges characteristic for the main plastic types and intensity threshold of fingerprint bands sufficiently strong for building robust Raman barcodes for sorting. Waste plastics Raman data handling and the proposed methodology for sorting complies with the FAIR (Findability, Accessibility, Interoperability and Reusability) principles of scientific data, being useful for researchers, policymakers and stakeholders. Our spectral characterization of solid plastic waste comes in support of improved waste plastic management and could have economic and environmental positive impact.

Multi-Technique Diagnostic Investigation in View of the Restoration of “The Glory of St. Barbara” Painting by Mattia Preti

The present paper illustrates the results of a diagnostic investigation performed on the oil on canvas painting “The Glory of St. Barbara” (1680–1688) by Mattia Preti. The painting is located inside the St. Barbara Church in Taverna (Catanzaro, Italy), the city that gave birth to the artist. In situ, non-invasive studies, by applying X-ray fluorescence (XRF) spectroscopy, along with laboratory micro-destructive analytical investigations, by employing electron probe microanalyses (EPMA) coupled with energy-dispersive spectrometry (EDS) and micro-Raman (µ-Raman) spectroscopy, were combined to retrieve the color palette and identify the painting technique and style of the famous master. As a result of this multi-scale characterization, an extraordinary pictorial technique was revealed, enriching knowledge about one of the oldest pictorial traditions outlined by Mattia Preti, and solving doubts still existing about many of his investigated artworks. Moreover, the achieved results represent useful and essential tools to address management issues of the artwork, by providing valuable information for planning and monitoring future restoration interventions of the canvas.

Physically unclonable functions taggant for universal steganographic prints

Counterfeiting of financial cards and marketable securities is a major social problem globally. Electronic identification and image recognition are common anti-counterfeiting techniques, yet they can be overcome by understanding the corresponding algorithms and analysis methods. The present work describes a physically unclonable functions taggant, in an aqueous-soluble ink, based on surface-enhanced Raman scattering of discrete self-assemblies of Au nanoparticles. Using this stealth nanobeacon, we detected a fingerprint-type Raman spectroscopy signal that we clearly identified even on a business card with a pigment mask such as copper-phthalocyanine printed on it. Accordingly, we have overcome the reverse engineering problem that is otherwise inherent to analogous anti-counterfeiting techniques. One can readily tailor the ink to various information needs and application requirements. Our stealth nanobeacon printing will be particularly useful for steganography and provide a sensitive fingerprint for anti-counterfeiting.

Chemometric Tools to Point Out Benchmarks and Chromophores in Pigments through Spectroscopic Data Analyses

Spectral preprocessing data and chemometric tools are analytical methods widely applied in several scientific contexts i.e., in archaeometric applications. A systematic classification of natural powdered pigments of organic and inorganic nature through Principal Component Analysis with a multi-instruments spectroscopic study is presented here. The methodology allows the access to elementary and molecular unique benchmarks to guide and speed up the identification of an unknown pigment and its recipe. This study is conducted on a set of 48 powdered pigments and tested on a real-case sample from the wall painting in S. Maria Delle Palate di Tusa (Messina, Italy). Four spectroscopic techniques (X-ray Fluorescence, Raman, Attenuated Total Reflectance and Total Reflectance Infrared Spectroscopies) and six different spectrometers are tested to evaluate the impact of different setups. The novelty of the work is to use a systematic approach on this initial dataset using the entire spectroscopic energy range without any windows selection to solve problems linked with the manipulation of large analytes/materials to find an indistinct property of one or more spectral bands opening new frontiers in the dataset spectroscopic analyses.

The Art of Everyday Objects: A Non-Invasive In Situ Investigation of Materials and Techniques of Italian Pop Art Paintings on Aluminium

Two paintings, made on aluminium support by Silvio Pasotti (among the major exponents of 1960s Italian pop art) were investigated in a totally non-invasive manner to identify the materials used by the artist. Raman spectroscopy, Fourier-transform infrared spectroscopy (FTIR), visible reflectance spectroscopy, and spectrofluorimetry with visible excitation were exploited as molecular analysis techniques, which are particularly suitable to recognise also synthetic organic materials, such as pigments and binders. The effectiveness of this multi-analytical approach was demonstrated, leading to the identification of several synthetic organic pigments, both conventional and “special effect” ones, introduced during the first half of the 20th century, as well as some well-established inorganic ones. Combining FTIR results both in the medium and near IR ranges, considerations regarding the binders employed by the artist could also be made, suggesting the use of both nitrocellulose and acrylic paints. Imaging techniques, such as IR reflectography, false colour IR, UV induced fluorescence, and portable microscopy, were also used to achieve a better knowledge of the painting practice.

Microplastics, bisphenols, phthalates and pesticides in odontocete species in the Macaronesian Region (Eastern North Atlantic)

The gastrointestinal contents of twelve individuals from six odontocete species that stranded between 2018 and 2019 in the Macaronesian Region (Eastern North Atlantic) were examined for the presence of marine debris. In addition, concentrations of eleven organic persistent contaminants (nonylphenols, bisphenols, phthalates and pesticides) were analysed in muscle samples by liquid chromatography. No particles larger than 5 mm were found, except for two plastic labels that were found on the same dolphin. On the contrary, all animals contained microplastics of diverse sizes, most of them being fibres (98.06%, n = 708). The predominant detected pollutants were bisphenols (4-984 ng/g) and DEHP (102-1533 ng/g). Also, except for two individuals, all animals had pesticide levels in their tissues. This work has allowed the establishment of a protocol for the study of microplastic ingestion in cetaceans, and tests the potential of microRaman to improve the understanding of microplastic alteration processes.

Physical and Chemical Characterisation of the Pigments of a 17th-Century Mural Painting in the Spanish Caribbean

The arrival of Spaniards in the Caribbean islands introduced to the region the practice of applying pigments onto buildings. The pigments that remain on these buildings may provide data on their historical evolution and essential information for tackling restoration tasks. In this study, a 17th-century mural painting located in the Cathedral of Santo Domingo on the Hispaniola island of the Caribbean is characterised via UV–VIS–NIR, Raman and FTIR spectroscopy, XRD and SEM/EDX. The pigments are found in the older Chapel of Our Lady of Candelaria, currently Chapel of Our Lady of Mercy. The chapel was built in the 17th century by black slave brotherhood and extended by Spaniards. During a recent restoration process of the chapel, remains of mural painting appeared, which were covered by several layers of lime. Five colours were identified: ochre, green, red, blue and white. Moreover, it was determined that this mural painting was made before the end of the 18th century, because many of the materials used were no longer used after the industrialisation of painting. However, since both rutile and anatase appear as a white pigment, a restoration may have been carried out in the 20th century, and it has been painted white.

Revealing Artists’ Collaboration in a 14th Century Manuscript by Non-Invasive Analyses

In the last decades, the working methods of late medieval illuminators have been widely discussed by art historians and codicologists. Non-invasive analyses are able to characterise the painting methods of illuminators as well as investigate artistic collaborations among them. The aim of this study was to characterise the painting palettes and techniques of different artists who illuminated two leaves from an early fourteenth century manuscript. The analyses were carried out with non-invasive and portable techniques such as Energy Dispersive X-ray Fluorescence (ED-XRF) spectrometry, Fiber Optics Reflectance Spectroscopy (FORS) and Raman spectroscopy. The paper highlights the differences among three rich and varied palettes and examines the pigments ultramarine, azurite, verdigris, earths, orpiment, red lead, vermillion, lead white, yellow lake, indigo, brazilwood and lac, used independently or in mixtures. We have demonstrated the effectiveness of non-invasive analyses as a tool to differentiate hands of artists who have worked on the same page. Furthermore, the comparison with analyses carried out on leaves attributed to the workshop of Pacino di Bonaguida allows to investigate in-depth the production of the main illuminators active in Florence at the dawn of the Renaissance.

Parchments and coloring materials in two IXth century manuscripts: On-site non-invasive multi-techniques investigation

One among the most famous ancient parchments in the Islamic world, dating back to the IXth century, along with another contemporary one have been investigated by means of a completely non-invasive multi-techniques analysis combining all of elemental XRF and structural/molecular Raman, ATR-FTIR and FOR spectroscopies besides pHs and colorimetric measurements. The materials initially used in the preparation of the writing supports were identified; in addition to calcite at different extents, the parchments seem to be condensed tannins-pretreated. Furthermore, the exploration of amide I and II vibrational bands and sub-bands illustrated collagen gelatinization and molecular helix disorders phenomena. Parchments and inks degradation products, gypsum and calcium oxalates, have been also identified. In both manuscripts the writing black inks have been characterized as iron gall type. The corrosive effect of these black inks appears deeply damaging the acidic parchment supports. In this case, the high frequency side of the infrared spectrum disappears completely, illustrating thus irreversible parchment degradations. Gum Arabic, when added sufficiently in the black ink recipe, seems preventing the corrosive damaging effect induced by Fe²⁺ ions spreading from the black ink into the parchment body. Besides, all coloring materials have been identified; gold in gilded scriptures and natural pigments for vocalizations and basic decorations: cinnabar for reds, lapis-lazuli for blue and orpiment/realgar/pararealgar arsenic sulfides for yellow/orange shades. The anthraquinone-based kermesic acid extracted from Kermes female insects had been used for dark pink decorations, while the copper-based pigment verdigris had been synthetized to achieve green motifs. These results enrich the knowledge of ancient writing supports and materials, and highlight technologies and practices developed by middle-ages craftsmen.

By the Hand of Angelos? Analytical Investigation of a Remarkable 15th Century Cretan Icon

A 15th century St Theodoros icon of outstanding quality is on display at the Zakynthos Ecclesiastical Art Museum. On the basis of certain stylistic characteristics, this icon has been attributed to the legendary Cretan painter Angelos Akotantos. In order to explore the latter attribution, the icon was subjected to examination via multispectral imaging, while microsamples were investigated through an optical microscope (OM), a scanning electron microscope coupled with an energy dispersive analyzer (SEM-EDX), μ-Raman and X-ray diffraction (XRD). The data were evaluated in the light of the findings of recent analytical studies conducted on several genuine Angelos icons. Identified materials include gypsum, gold leaf, bole, natural ultramarine, lead white, charcoal, green earth, red lake, minium, cinnabar, and red and yellow ochres. The identified materials resemble those employed by Angelos, while the identification of ultramarine is of particular significance, as this extremely expensive and rather rare pigment was very often used by the particular painter. Moreover, multispectral imaging reveals notable painting technique similarities between the icon in consideration and known Angelos icons, while cross sections of corresponding samples exhibit almost identical structures. Overall, the present work considerably strengthens the suggestion that the St Theodoros icon in consideration was painted by Angelos and also widens our knowledge regarding the late Byzantine painting.

Ag-Nanostars for the Sensitive SERS Detection of Dyes in Artistic Cross-Sections—Madonna della Misericordia of the National Gallery of Parma: A Case Study

In historical paintings, the detection of low amounts of pigments and dyes by Raman spectroscopy can sometimes be challenging, in particular for fluorescent dyes. This issue can be overcome by using SERS (surface-enhanced Raman spectroscopy) which takes advantage of the properties of nanostructured metal surfaces to quench fluorescence and enhance Raman signals. In this work, silver nanostars (AgNSs) are applied for the first time to real art samples, in particular to painting cross-sections, exploiting their effective SERS properties for pigment identification. The case study is the Madonna della Misericordia of the National Gallery of Parma (Italy). Cross-sections were analyzed at first by optical microscopy, SEM-EDS, and micro-Raman spectroscopy. Unfortunately, in some cross-sections, the application of conventional Raman spectroscopy was hindered by an intense background fluorescence. Therefore, AgNSs were deposited and used as SERS-active agent. The experimentation was successful, allowing us to identify a modern dye, namely copper phthalocyanine. This result, together with the detection of other modern pigments (titanium white) and expert visual examination, allowed to reconstruct the painting history, postdating its realization from the 15th century (according to the Gallery inventory) to 19th century with a heavy role of recent (middle 20th century) restoration interventions.

Investigation of modern oil paints through a physico-chemical integrated approach. Emblematic cases from Valencia, Spain

The study and the characterisation of modern and contemporary oil paintings is still a challenging issue, in particular considering the significant changes in paint production across the 19th and 20th centuries. This paper presents the results of the first physico-chemical integrated study of the artistic materials used in six paintings from the School of Art and Higher Design of Valencia (Escola d'Art i Superior de Disseny, EASD-Valencia), artworks created between 1871 and 1943 by four famous Valencian artists: Salustiano Asenso Arozarena, Salvador Abril I Blasco, Enrique Navas Escuriet and José Bellver Delmás. A wide range of inorganic and organic compounds was identified through a multi-analytical approach by means of visible reflectance spectroscopy, XRF, μ-Raman, FTIR and GC-MS. The investigation on the binding media suggests the use of commercial paint formulations including mixtures of drying, slow- and non-drying oils and the presence of Gum Arabic as well. Traditional pigments (such as vermillion, earth pigments, lead white) and modern pigments (such as zinc white, cobalt and chromium-based pigments) were identified together with fillers and extenders. Degradation products, in particular zinc and lead soaps having strong conservation implications, were also detected. This work, focusing on the identification of the palettes and the binding media used by the selected artists, aims at providing meaningful data and interesting case studies that are useful beyond the Valencian painters solely. This study provides new insight into the use of 19th-20th century commercial oil paints and the selection of painters' palette and their artistic production techniques. Besides, this work highlights the necessity of a multi-analytical approach to obtain valuable information for documentation and preventive conservation.

In situ diagnostic analysis of the XVIII century Madonna della Lettera panel painting (Messina, Italy)

The scientific investigation of the techniques employed by the artist, such as composition of the paints, color palette, and painting style represents a fundamental pre-requisite in order to develop proper conservation and restoration strategies. In this context, the combined use of non-destructive, non-invasive in situ image and chemical analyses was here successfully employed for the investigation of the XVIII century Madonna della Lettera panel painting from the ancient Basilian abbey of Santa Maria di Bordonaro in Messina (Italy). The used techniques were visible, infrared (IR) and false-color infrared (FCIR) photography, X-ray radiography, X-ray fluorescence (XRF) and Raman spectroscopy. The goal was to obtain accurate information on materials and techniques originally used and possible later interventions, with particular regard to the nature of the painting materials. From the results, details of the artwork useful for restoration and conservation procedures were revealed. The identification of most of the artist's palette was also achieved: Prussian blue for blue color, lead white for white, umber for the brown, cinnabar for the red, and carbon black for the black color. The composition of different preparatory substrates was also investigated. The obtained results, other than constituting a crucial step for future restoration works, can be at the same time useful for the dating of the painting, that does not report the date and the artist's signature.

Investigation of mineralization products of lead soaps in a late medieval panel painting

Metal soaps pose significant concerns in the preservation of paintings made with oil as a binding medium. In highly alkaline environments, metal soap aggregates may undergo mineralization processes with the formation of new phases, such as carbonates, chlorides, oxides and sulfates of the metal cations that are present in pigments or paint additives. In this work, we report new examples of the mineralization of lead soaps in paint-cross sections taken from a late-medieval panel painting owned by the Museum of Cultural History at the University of Oslo. Scientific analyses were carried out with optical microscopy under UV and visible light, scanning electron microscopy coupled with energy dispersive X-ray spectroscopy and Raman spectroscopy to investigate and characterize the nature of the compounds present in the samples. Lead (II,IV) oxide, which is presumed to be a secondary product in the mineralization of lead soaps, has been identified in lead-based paint.

Surface enhanced Raman scattering of inorganic microcrystalline art pigments for systematic cultural heritage studies

The present work summarizes our experimental data on Surface-enhanced Raman scattering (SERS) of inorganic pigments. The effect of pigment type on Raman scattering enhancement was studied. The paper also describes the features of the SERS-active substrates used as well as the methods of sample preparation for SERS analysis of the pigments. The results of successful application of SERS and micro-SERS for art pigments identification in the canvas paintings and icons have been demonstrated. The techniques allowed us to clearly identify the composition of blue and green paint layers as well as grounds in the nine artworks. This lead to determination of the lower time limit of work creation, to dating of the restoration interventions, to distinguish red ochers from two different deposit sources of raw mineral. The enhancement of Raman scattering intensities allows to reduce significantly the amount of the sample being taken from artwork (up to 1 μg).

Paint Relics on Middle Age Building Stones as Proxies of Commercial Routes and Artistic Exchanges: A Multi-Analytical Investigation

Fifty-four pieces out of 356 marble pieces deriving from the decorative and architectonic apparatus of the medieval monastic complex of S. Francesco of Castelletto (Genoa, Italy) preserve traces of varicolored paint layers. Microscopic samples of green, blue, red, pink, white, and yellow paint relics were collected by scalpel and analyzed by means of Scanning Electron Microscope coupled with Energy Dispersive Spectroscopy (SEM-EDS), µ-Raman, and Fourier Transform Infra-Red Spectroscopy with Attenuated Total Reflection (FTIR-ATR), to characterize pigments and binders. The combined results from the different techniques allowed verification that stone decoration in Genoa during the Middle Ages encompassed a calcite groundwork and the use of a mixture of oils and proteins (probably egg) to apply pigments. The assemblage of impurities within the pigment has been correlated with the provenance sites along the commercial continental (Hungary and France) and maritime (Sardinia, Cyprus, or Veneto) routes between the 13th and 15th centuries. Moreover, the investigation of the painted layer improved the characterization of the decorative techniques in use in Genoa during the Middle Ages.

The Choir Books of San Giorgio Maggiore in Venice: Results of in Depth Non-Invasive Analyses

This paper discusses a cross-disciplinary, international collaboration aimed at researching a series of 15th century choir books at the abbey of San Giorgio Maggiore on the homonymous island in Venice. Produced for the abbey itself, the books have never left the island during their 500-year history, thereby allowing a unique opportunity to analyse historic artefacts, which have undergone little modification over time. Prompted by ongoing cataloguing work on the manuscripts, a week-long analytical campaign using a combination of non-invasive analytical methods used in portable configuration allowed the comprehensive characterisation of ten volumes. The manuscripts’ palette and painting techniques were analysed using near-infrared imaging, reflectance spectroscopy in the UV-vis-NIR range, Raman spectroscopy, X-ray fluorescence mapping and digital microscopy. The paper will discuss the challenges linked to the fragility and the large dimensions of the volumes as well as the most interesting results of the investigation. These include the detection of unusual painting materials such as bismuth ink, as well as the discovery of a less homogeneous palette than originally expected, which prompted a partial revision of the attribution of the decoration in one of the volumes to a single artist.

Occurrence and identification of microplastics along a beach in the Biosphere Reserve of Lanzarote

This work studied the accumulation of plastic debris in a remote beach located in La Graciosa island (Chinijo archipelago, Canary Islands). Microplastics were sampled in the 1-5 mm mesh opening range. An average plastic density of 36.3 g/m² was obtained with a large variability along the 90 m of the beach (from 8.5 g/m² to 103.4 g/m²). Microplastic particles preferentially accumulated in the part of the beach protected by rocks. A total number of 9149 plastic particles were collected, recorded and measured, 87% of which corresponded to fragments. Clear colours and microscopic evidence of weathering corresponded to aged plastics wind-driven by the surface Canary Current. The chemical composition of plastics particles corresponded to PE (63%), PP (32%) and PS (3%). Higher PE/PP ratios were recorded in the more protected parts of the beach, suggesting preferential accumulation of more aged fragments.

Breaking Preconceptions: Thin Section Petrography For Ceramic Glaze Microstructures

During the last thirty years, microstructural and technological studies on ceramic glazes have been essentially carried out through the use of Scanning Electron Microscopy (SEM) combined with energy dispersive X-ray analysis (EDX). On the contrary, optical microscopy (OM) has been considered of limited use in solving the very complex and fine-scale microstructures associated with ceramic glazes. As the crystallites formed inside glazes are sub- and micrometric, a common misconception is that it is not possible to study them by OM. This is probably one of the reasons why there are no available articles and textbooks and even no visual resources for describing and characterizing the micro-crystallites formed in glaze matrices. A thin section petrography (TSP) for ceramic glaze microstructures does not exist yet, neither as a field of study nor conceptually. In the present contribution, we intend to show new developments in the field of ceramic glaze petrography, highlighting the potential of OM in the microstructural studies of ceramic glazes using petrographic thin sections. The outcomes not only stress the pivotal role of thin section petrography for the study of glaze microstructures but also show that this step should not be bypassed to achieve reliable readings of the glaze microstructures and sound interpretations of the technological procedures. We suggest the adoption by the scientific community of an alternative vision on glaze microstructures to turn thin section petrography for glaze microstructures into a new specialized petrographic discipline. Such an approach, if intensively developed, has the potential to reduce the time and costs of scientific investigations in this specific domain. In fact, it can provide key reference data for the identification of the crystallites in ceramic glazes, avoiding the repetition of exhaustive protocols of expensive integrated analyses.

Multianalytical non-invasive characterization of phthalocyanine acrylic paints through spectroscopic and non-linear optical techniques

The documentation and monitoring of cleaning operations on paintings benefit from the identification and determination of thickness of the materials to be selectively removed. Since in artworks diagnosis the preservation of the object's integrity is a priority, the application of non-invasive techniques is commonly preferred. In this work, we present the results obtained with a set of non-invasive optical techniques for the chemical and physical characterization of six copper-phthalocyanine (Cu-Pc) acrylic paints. Cu-Pc pigments have been extensively used by artists over the past century, thanks to their properties and low cost of manufacture. They can also be found in historical paintings in the form of overpaints/retouchings, providing evidence of recent conservation treatments. The optical behaviour and the chemical composition of Cu-Pc paints were investigated through a multi-analytical approach involving micro-Raman spectroscopy, Fibre Optics Reflectance Spectroscopy (FORS) and Laser Induced Fluorescence (LIF), enabling the differentiation among pigments and highlighting discrepancies with the composition declared by the manufacturer. The applicability of Non Linear Optical Microscopy (NLOM) for the evaluation of paint layer thickness was assessed using the modality of Multi-photon Excitation Fluorescence (MPEF). Thickness values measured with MPEF were compared with those retrieved through Optical Coherence Tomography (OCT), showing significant consistency and paving the way for further non-linear stratigraphic investigations on painting materials.

Raman microspectroscopy for Cultural Heritage studies

The Raman effect is at the basis of Raman scattering and microspectrometry: in the first part of the chapter, it is very shortly exposed together with differences with infrared (IR) spectroscopy, and advantages and drawbacks of the technique. The importance of the choice of the excitation wavelength, of the spectrometer (fixed, portable and handheld) and of the optics is underlined, while the information provided by the technique for inorganic and organic materials is considered. The surface-enhanced Raman spectroscopy (SERS) theory and principle applications are also taken into account. In the second part of the chapter, all the different applications of Raman and SERS to cultural heritage materials are contemplated: minerals, gemstones, rocks, patinas and corrosion products, glass, pottery, mortars, dyes, binders, resins, paper, parchment, inks and human remains. For each category of objects, the answers that Raman microspectrometry and SERS can give to the archaeometric and conservation-related questions, the in situ investigations, the search of specific spectral parameters and the use of chemometrics are shown, together with the most recent advances in the field.

LIF/Raman/XRF non-invasive microanalysis of frescoes from St. Alexander catacombs in Rome

Laser-induced fluorescence (LIF), Raman spectroscopy and X-ray (XRF) fluorescence were used to study two frescoes at the S. Alexander catacombs complex, in Rome. LIF analysis has shown the presence of a transparent protective material probably deposited in previous restoration treatments and allowed to clearly distinguish the areas undergoing the current restoration process from the ones which still have to be treated. Raman and XRF analysis allowed to non-destructively characterizing most of the pictorial materials used for the artworks, including calcite (CaCO₃), red ochre (Fe₂O₃), minium (Pb₃O₄), yellow ochre (α-FeOOH) and others. Therefore, thanks to the complementarity of the above-mentioned techniques, it was possible to obtain a detailed characterization of the studied frescoes. Finally, the whole ensemble of results constituted a valid tool to effectively plan the restoration of the frescoes.

Reconstructing the colour palette of the Konstantinos Parthenis' burnt paintings

This case study focuses on the reconstruction of the colour palette and the possibility of laser cleaning of burnt paintings. The paintings ORPHEUS IN THE UNDERWORLD and CONCORDIA, composed by the Greek artist Konstantinos Parthenis (1878-1967), have been severely damaged by fire. The colour palette of Parthenis is thoroughly investigated for the first time, and to perform this, a multi-analytical spectroscopic approach was employed. Non-destructive in situ analysis was performed on multiple areas of the paintings by portable XRF. SEM-EDS and Raman, supported by reflected visible light optical microscopy, and ultraviolet light microscopy, as well as structural XRD and molecular FTIR were performed for identifying the pigments, the binder and the substrate of the paintings. This work also unveiled new aspects of the painting technique used by the artist, such as the uncommon use of multiple pigments of red hue in the upper paint layers, comparatively with the rest of Parthenis' paintings. Molecular spectroscopic techniques (i.e., Raman and FTIR) were effective in identifying pigments like chrome yellow (crocoite mineral), chrome orange (phoenicochroite mineral) and viridian green (hydrated chromium oxide). The spectroscopic analyses were also essential in the laser cleaning restoration because of the detection of pigments (i.e., lead white, vermilion etc.) prone to phase transformations due to photothermal and/or photochemical effects. Our investigation establishes the basis on the application of non-conventional cleaning methods on damaged paintings, such as laser irradiation, in order to remove the damaged layer and/or the superficial accretions, while preserving the hues of the original painting.

Assessment tools for microplastics and natural fibres ingested by fish in an urbanised estuary

Microplastics and fibres occur in high concentrations along urban coastlines, but the occurrence of microplastic ingestion by fishes in these areas requires further investigation. Herein, the ingestion of debris (i.e., synthetic and natural fibres and synthetic fragments of various polymer types) by three benthic-foraging fish species Acanthopagrus australis (yellowfin bream), Mugil cephalus (sea mullet) and Gerres subfasciatus (silverbiddy) in Sydney Harbour, Australia has been quantified and chemically speciated by vibrational spectroscopy to identify the polymer type. Ingested debris were quantified using gut content analysis, and identified using attenuated total reflectance Fourier transform infrared (ATR-FTIR) and Raman microspectroscopies in combination with principal component analysis (PCA). The occurrence of debris ingestion at the time of sampling ranged from 21 to 64% for the three species, and the debris number ranged from 0.2 to 4.6 items per fish for the different species, with ∼53% of debris being microplastic. There was a significant difference in the amount of debris ingested among species; however, there was no difference among species when debris counts were standardised to fish weight or gut content weight, indicating that these species ingest a similar concentration of debris relative to their ingestion rate of other material. ATR-FTIR microspectroscopy successfully identified 72% of debris. Raman spectroscopy contributed an additional 1% of successful identification. In addition, PCA was used to non-subjectively classify the ATR-FTIR spectra resulting in the identification of an additional 9% of the debris. The most common microplastics found were polyester (PET), acrylic-polyester blend, and rayon (semi-synthetic) fibres. The potential of using Raman microspectroscopy for debris identification was investigated and provided additional information about the nature of the debris as well as the presence of specific dyes (and hence potential toxicity).

Visible induced luminescence reveals invisible rays shining from Christ in the early Christian wall painting of the Transfiguration in Shivta

The Transfiguration scene depicted in a Byzantine church at Shivta, Israel, is one of two figurative examples of the scene from the early Christian period. The use of Egyptian blue pigment in the wall painting was investigated with various analytical methods. Visible Induced Luminescence (VIL) imaging was used in-situ in order to map the distribution of the Egyptian blue pigment in the painting. The VIL imaging revealed surprising insights into the understanding of the iconography and the technology of this rare painting. Previously undetected elements of the painting include rays of light that were discovered emerging from the body of Christ and illuminating the other figures in the painting. Although this motif is an important part of the Transfiguration narrative and appears in most of its scenes depicted elsewhere, it had not been previously identified in this painting as it was undetectable by any other inspection technique. Another important result is the identification of Egyptian blue as a common blue pigment used at Shivta during the Byzantine period, when it is considered to be very rare.